Blood Beach

1981 "Just when you thought it was safe to go back in the water - you can't get to it."
4.5| 1h32m| R| en| More Info
Released: 18 January 1981 Released
Producted By: Compass International Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Something or someone is attacking people one by one on the beach. Some of them are mutilated, but most of them are sucked into the sand, disappearing without a trace. What is the creature responsible? Where does it live, and where did it come from? And is there any chance of it reproducing? Meanwhile, David Huffman and Mariana Hill are once-almost-married old friends, reunited over the death of her mother on the beach, and searching for clues in the abandoned buildings where they used to play when they were young.

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Director

Jeffrey Bloom

Production Companies

Compass International Pictures

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Blood Beach Audience Reviews

Onlinewsma Absolutely Brilliant!
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
qmtv This movie is a Horror Show. Crap all the way. Crappy story, acting, cinematography, music, etc Nothing is explained. No idea where this creature came from. The monster finally shows up near the end and it looks like crap. The main male and female characters and actors are a joke. We just basically watch them go on dates. The woman's mother is missing or dead and she just seems all happy/content. The man's neighbor and girlfriend is missing or dead and the same thing. Unreal.The best part of the movie is when a few people get sucked into the sand. John Saxons character and acting was good. And the Rocky actor was there for comedy, waiting for the next Rocky movie.The dialogue was the worst. Especially with the main male and female characters.My rating is a D for effort, or 3 stars. 1 star given for balance. It took me 3 sittings to complete this mess. There was a decent idea, but the Screenplay was poor. They had a budget to do something, and this was the result. Crap.
Seb Blood Beach is a cheap movie with quite an original monster. This monster lives under the beach and sucks people into the sand which is quite scary, unfortunately there's very little monster action. You won't see much of the monster at all in fact, much less than for instance the boom mike or people sharing a candlelit meal which trust me you'll see plenty of.This isn't really horror, it's a romance with a couple of early deaths to keep your hopes up. There's also a drunk looking detective who spouts meaningless lines, often about Chicago and some totally random and not terribly good singing thrown in. My favourite character was the vet/doctor/coroner who puffs away on his unlit pipe and robs his lines of any meaning whatsoever with his glacier slow delivery.I wish this had been a movie about a sand monster as billed, that would have been quite fun but this film is just too slow and lacking in thrills to really be entertaining. It did leave me with one question though - is it wrong to date another woman the day after your girlfriend is eaten by a sand monster? Sure your friends will never mention her again and you'll show no signs of remembering her and your new romantic interest won't care but still..I think I'd leave it another day but maybe I'm just an old romantic.
The_Void Believe it or not, Blood Beach actually surpassed my expectations. Of course, I didn't go into the film expecting a masterpiece; but I decided if it was half as fun as the other beach related John Saxon film that I've seen (Umberto's Lenzi's Nightmare Beach), then I'd be happy. Despite being a schlocky eighties mess of a movie, Blood Beach is a lot of fun to watch and the idea of monsters living underneath the sand of a local tourist beach is fairly original. The film takes more than its fair share of influence from the classic film Jaws, and I was actually surprised that it wasn't produced in Italy - given how adept the Italians are at making Jaws rip-offs. As mentioned, the plot focuses on a tourist beach, except this time the danger isn't in the water but in the sand. After several people disappear into the sand, it is up to the local law enforcement to keep people off the beach. There's also a rather superfluous sub-plot about a couple of long-lost lovers bumping into each other and rekindling their relationship...but you've got to expect a bit of filler with a plot this thin! The film's main asset is undoubtedly the fact that it features a performance from prolific cult actor John Saxon. Unfortunately, Saxon isn't the star of the show, but he makes his presence felt in every scene he's in. The main roles go to David Huffman and Marianna Hill, and while neither impresses; their performances at least fit with the film. The main reason why this film fails as a 'good' horror film is down to the plotting - it's never really all that interesting, and it seems obvious that writer-director Jeffrey Bloom knows this as he continually throws in yet another sand death scene every time things are getting boring. Unlike a lot of eighties horror; this one is practically bloodless, and while I'm not a big fan of that fan of that fact; I have to respect the film somewhat for not throwing in a bucket of gore, which wouldn't have fit with the tone and theme of the movie. The ending doesn't really resolve much, and while the conclusion is typical of this sort of film; it does at least work fairly well. Overall, Blood Beach is hardly a must see film - but it's certainly worth seeing if you manage to get your hands on a copy.
Woodyanders How's this for a novel premise: a foul, carnivorous, subterranean monster whose exact origin is never properly disclosed feasts upon sundry teenagers, pretty young honeys, cops, bums and little old ladies who are all unfortunate enough to be treading on the beach when the sucker is on the prowl, thereby puzzling the local clueless and ineffectual authorities and whipping up a heretofore sleepy California coastal community into a frenzied tizzy. Boy, does that ever sound fairly similar to "Jaws," now doesn't it? Although the threadbare story ain't much, this surprisingly fun cheapo fright flick somehow manages to be quite entertaining. Veteran B-movie flatfoot John ("Black Christmas," "Welcome to Spring Break") Saxon as the dour, irascible police chief who's disgusted with the whole bloody mess and the ever-coarse Burt Young (Paulie in the "Rocky" films) as the boorish, jocund homicide detective investigating the baffling murders both delightfully grouch it up while longtime favorite unsung character actor Stefan ("Blue Sunshine," "Spellbinder") Gierasch gleefully commits thespic grand larceny as a pompous, pipe-smoking coroner with a ludicrously protracted drawl (Gierasch talks as if he graduated with top honors from the William Shatner Academy of Studiously Affected and Mannered Overdone Hammy Elocution). Despite several glaring flaws -- writer/director Jeffrey Bloom's hopelessly all-thumbs cinematic technique, sometimes excruciatingly sluggish pacing, drab performances by David Huffman and Marianna ("The Baby," "Messiah of Evil") Hill as a pair of middle-aged seaside lovers who make a belated attempt at rekindling their extinguished relationship, Gill ("A Cold Night's Death," "The Ultimate Warrior") Melle's rather inappropriate, but still funky moody jazz score, Steve ("Dead and Buried," "Donnie Darko") Poster's peculiarly fuzzy photography, and the lamest, phoniest, most pitifully unscary beast this side of the killer walking carpet in "The Creeping Terror" -- "Blood Beach" nonetheless still rates as a weirdly winning low-rent creature feature, mainly because a certain sweetly misguided, but very palpable and thus engaging enthusiasm permeates every single fabulously fumbling frame. It's this unusual synthesis of earnestness and ineptitude which ultimately makes this baby so endearing. And any picture which boasts a scene where a nasty would-be rapist gets gruesomely castrated by the rampaging monster will always get my vote.