Contentar Best movie of this year hands down!

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

londonscot2003 Excellent film about one of the blackest periods in history it gave me a better insight into what happened. Unlike the second world war which I know pretty much about the subject,having seen plenty of war films and documentaries, the Nanking massacre was something I only vaguely knew about, but had never seen much about the subject.The documentary with the film explains a lot. for example how horrific this event was and how it should be remembered and learnt from. my opinion is that the Japanese government has to admit to the crimes they committed just like the German's apologised for the holocaust. I have to say this movie is very hard to watch, it is extremely graphic. but why it is graphic is because the director wants to show how horrible this event was.

Nelson Von Stricker I really don't know what to think of this movie. I would say that, after the first 30 minutes I was ready to dismiss it. I don't think it's inability to pick a genre is a virtue (though I think it could have been). I also think the film comes off way too much like a propaganda film for the People's Republic. It seems to suggest that the "Rape of Nanking" was some kind of secret. Well, for whatever reason, I knew about it already, and so I thought that attitude was rather odd. Another random thing: that introduction is bizarre. There must have been 30-40 cuts in 90 seconds. That's just insane. It didn't work in my mind. But anyway, the director has more balls than any American or even just any mainstream filmmaker would in depicting the atrocities. Though an atrocity doesn't automatically make a good film, I still find this attempt at truly conveying the horror commendable. And further, there is no imposed happy ending, unlike western films that try to deal with these things. For that, I think I can forgive the stylistic difficulties.

Libretio BLACK SUN: THE NANKING MASSACRE (Hei Tai Yang: Nan Jing Da Tu Sha)Aspect ratio: 1.85:1Sound format: MonoDramatized account of events in 1937-38, when Japanese military forces overran the city of Nanking, unleashing a wave of barbarous cruelty on the defenceless population.Though hyped by its director as a sincere depiction of China's darkest hour, BLACK SUN: THE NANKING MASSACRE will be remembered chiefly for its exploitation trimmings, such as the scene in which a sneering Japanese soldier uses his bayonet to cut a foetus from the womb of a pregnant Chinese woman. It sounds horrific, but the incident is staged with freak-show explicitness more likely to generate laughter than horror - until one remembers that such things *did* happen during this period, and much worse besides...In narrative terms, the film offers a curious mixture of gruesome horror and earnest recreations of historical events, punctuated by lengthy scenes in which high-ranking Japanese officials argue the merits (or not) of their behavior toward 'enemy' civilians. Unlike the scenes of carnage, however, these dialogue exchanges are rendered with little or no visual flair, a stylistic conceit which serves the demand for historical accuracy whilst simultaneously blunting any possible sympathy the audience may develop for the Japanese characters. Director Mau Dui-fai - billed as 'T.F. Mous' - was previously responsible for such see-'em-and-vomit items as LOST SOULS (1980) and the notorious MEN BEHIND THE SUN (1988), and here he demonstrates an aptitude for sideshow theatrics which renders him uniquely suited to the subject at hand.For all its sensationalism, however, the movie is distinguished by an extraordinary *lack* of melodrama. Mau depicts the worst horrors (rape, decapitation, mass shootings and burnings) with po-faced solemnity, lapsing into carnival grotesquerie only when the pace threatens to flag. Those looking for sleazy thrills will get their money's worth, but "Black Sun" straddles the gap between commercial exploitation and journalistic integrity, and takes few prisoners along the way. Performances by a largely unknown cast are uniformly fine, and production values are top-notch for such downmarket fare.(Cantonese dialogue)

EVOL666 THE NANKING MASSACRE is another solid piece of work from T.F. Mou regarding the atrocities that the Japanese brought upon the Chinese in WWII. Personally, I felt that this installment lacked the punch of MEN BEHIND THE SUN, but was still very effective in trying to relate the horrors of war and oppression. There are a few "gore" scenes, but to be quite honest, they almost come off a little comically (or i'm just sick...). I found the "forced abortion" and the "baby in the rice steamer" scenes to be pretty hilarious, though I'm sure they weren't meant to be - the FX just looked silly and not horrifying. That's not to make light of the film itself or of what actually happened in China at that time period. All-in-all I found the film to be very moving, and should really be looked at as a history lesson more than as a horror film. I know that "extreme" horror fans will seek this and MEN BEHIND THE SUN out for their notorious reputations as "shocking" and "horrific" gore films, but I think that those who are just looking for blood-and-guts will be severely disappointed. As I stated before, these are neither horror nor gore films, but a fictionalized recreation of events. Either way, I feel that they are both good films, although I prefer MEN BEHIND THE SUN over THE NANKING MASSACRE. Definitely not for everyone due to some graphic material, but highly recommended 7 1/2 out of 10