Big Leaguer

1953 "Packed with thrills, laughs, heart-throbs, excitement. All the way!"
5.9| 1h11m| NR| en| More Info
Released: 19 August 1953 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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John Lobert runs a training camp in Florida for the New York Giants. Every year, he evaluates the 18-22 year old hopefuls to pick the best for a minor league contract.

Genre

Drama

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Director

Robert Aldrich

Production Companies

Metro-Goldwyn-Mayer

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Big Leaguer Audience Reviews

ChicRawIdol A brilliant film that helped define a genre
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Numerootno A story that's too fascinating to pass by...
Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
JohnHowardReid Edward G. Robinson (John B. "Hans" Lobert), Vera-Ellen (Christy), Jeff Richards (Adam Polachuk), Richard Jaeckel (Bobby Bronson), William Campbell (Julie Davis), Carl Hubbell (himself), Paul Langton (Brian McLennan), Lalo Rios (Chuy Aguilar), Bill Crandall (Tippy Mitchell), Frank Ferguson (Wally Mitchell), Mario Siletti (Polachuk), John McKee (Dale Alexander), Robert Caldwell (Pomfret), Donald "Chippie" Hastings (Little Joe Polachuk), Al Campanis, Bob Trocolor, Tony Ravish (themselves), Bing Russell.Narrated by Paul Langton.Director: ROBERT ALDRICH. Screenplay: Herbert Baker. Story: John McNulty, Louis Morheim. Photography: William C. Mellor. Film editor: Ben Lewis. Art directors: Cedric Gibbons and Eddie Imazu. Set decorator: Edwin B. Willis. Make-up: Jack Dawn. Hair styles: Sydney Guilaroff. Music director: Alberto Colombo. Technical adviser: John B. "Hans" Lobert. Assistant director: Sid Sidman. Sound supervisor: Douglas Shearer. Producer: Matthew Rapf. Executive producer: Charles Schnee. Location scenes photographed at the New York Giants training farm in Melbourne, Florida.Copyright 13 July 1953 by Loew's Inc. A Metro-Goldwyn-Mayer Picture. No recorded New York opening. U.S. release: 21 August 1953. U.K. release (in a 53-minute version): January 1956. Australian release: 4 November 1953. 70 minutes. SYNOPSIS: Two weeks with young recruits in a big-league baseball training camp.COMMENT: Although not highly regarded by connoisseurs, director Aldrich's first cinema feature has a lot to recommend it, not least the excellent performance of Edward G. Robinson as real-life baseball pro, "Hans" Lobert. In fact, with the exception of glumly stolid Jeff Richards, all the players (including of course the lovely Vera-Ellen and the talented Richard Jaeckel) are lively and likable. Although constrained by a conventional plot, Aldrich's direction is never less than highly competent, occasionally even inventive. Most of the film (if not all of it) has been attractively lensed on actual training camp locations by William C. Mellor, and the screenplay manages to arouse a fair amount of interest in both the characters and their background even for those of us who don't take Big League seriously.
edwagreen No wonder the beginning scenes shows Bobby Thompson's dramatic home run in 1951 to lead the Giants against the Dodgers.Vera-Ellen did not dance in this film, but rather played the niece of Edward G. Robinson, a Giant scout, evaluating prospective players for minor league contracts. Robinson gives a subdued, but still another good performance in this film.The guys arrive at training camp and begin a regimen of activities to prove their dexterity for the game.Jeff Richards is one of those players who Ellen shows an interest for outside of baseball. Working at the front office, the Ellen character strongly hints to Robinson that the office may be calling for his retirement. While this is never further discussed in the film, the end of the movie seems to explain what would occur.Truly a heartwarming tale of what prospective players have to go through. Certainly an inspiration for aspiring young stars, especially children.
Michael_Elliott Big Leaguer (1953) ** (out of 4) There have been quite a few good baseball films over the years but sadly this isn't one of them even though we do get a fine performance from Edward G. Robinson. In the film he plays John Lobert, a former baseball player who currently runs a training camp in Florida for the New York Giants. Each year he judges new talent trying to find the next great player but the team is getting a little fed up with him not finding any All Stars so the pressure is on to find someone to save his job. BIG LEAGUER has a few good moments in it but in the end you can't help but feel rather bored and letdown. I'm sure there could have been a very good movie made about these young kids who come to this camp to try and fulfill their dreams but this film is so child like that you can't help but feel you're watching something fake. The ball players are all stereotypes as you have one whose father was a baseball great and of course he can't live up to his father. You have another who thinks he's the greatest thing on Earth yet he's not. You have another who doesn't want his hard working father to know he's missing college to try and play ball. All the stereotypes are on hand here and not one of them comes across as a real character. Robinson at least keeps the film moving as he has that great energy that only he could get across. There was a quick scene where I thought we were going to get to see him bat but that ended up not happening. Vera-Ellen appears as his niece and makes for the love interest to one of the players played by Jeff Richards. I really wasn't overly impressed with either of them but apparently Vera-Ellen was a very big name back in the day but I really couldn't see why. Frank Ferguson, Richard Jaeckel and William Campbell also star. Carl Hubbell plays himself in a quick cameo.
bkoganbing For a film that is set in the New York Giants training camp of 1953, the biggest surprise for me is the fact that manager Leo Durocher did not appear in it. Leo at the time was married to Laraine Day and was quite at home in the movie colony. And he was a natural ham.This is not spring training with the New York Giants. In fact the Giants down to today do their spring training in Arizona. This is a winter instructional school, something pioneered by the Giants across the Harlem River rivals, the Yankees. Here the school is run by veteran baseball coach Hans Lobert.There was in fact a real Hans Lobert, a very good third baseman who played in the beginning and teen years of the last century for such teams as the Phillies and the Giants among others. His style of play in the field was very similar to baseball immortal Hans Wagner, hence John Lobert became popularly known as Hans Lobert. At third base he was the Brooks Robinson of his day and while he didn't hit in the same class as Hans Wagner(very few ever did)he was no easy out at the plate. Edward G. Robinson plays the real life Hans Lobert who's dealing with some promising rookies like Jeff Richards, William Campbell, Richard Jaeckel among others. Robinson acts like a father confessor to all these kids as he deals with not just their playing skills, but a few personal problems as well. The real Lobert was known to do just that, he was a beloved figure in baseball.Baseball Hall of Famer Carl Hubbell made an appearance in Big Leaguer, I suppose to lend authenticity. He was some pitcher in his day as well with a screwball that could practically turn a corner backwards.Another reviewer made a comment about the players being all white at the school. Oddly enough the Giants had integrated at that point, becoming the second team in the National League to do so following the Dodgers. A star rookie from 1951 named Willie Mays was in the army at this time, but the Giants had Monte Irvin and Hank Thompson playing for them at the point in time Big Leaguer was filmed. My guess would be that at this point in time the Giants like many other teams weren't signing black prospects fresh out of school. They were instead raiding the Negro Leagues for proved players. The Negro Leagues were in their last stages, in fact the last star player signed out of them was a man who played for the Indianapolis Clowns named Hank Aaron. I have a funny feeling that Giant owner Horace Stoneham made this film in response to the success that the Dodgers enjoyed in 1950 with the Jackie Robinson Story. Big Leaguer is a much better film than that was. This film isn't about stars, but about eager young prospects trying to make the grade. It's got a good baseball feel to it. Baseball fans will love it, hopefully it will come out one day on DVD and VHS.And wasn't Hans Lobert one lucky fellow to have himself portrayed on the screen by an established movie star.