Lightdeossk Captivating movie !

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

secondtake Big House U.S.A. (1955)This is quite a surprise. At first you are lulled into thinking we're in an ordinary crime drama: a rich kid is kidnapped from a Colorado mountain summer camp. A ransom is demanded, the kidnapper, working alone, is caught for a different crime and thrown in jail. All of this takes awhile to happen and is pretty interesting, especially set out in the big landscape and bright air of the Rockies.But then our main character finds himself in a jail cell with some hardened thugs. This is where any movie lover will sit up. Listen to the cast of characters. Broderick Crawford, who plays loud and brash characters as good as anyone, and who is sharp as a whip here, the gangleader and intellectual.Ralph Meeker, the man who played Mike Hammer in the following year's "Kiss Me Deadly" and is a good hardened criminal.William Talman, most memorable in Ida Lupino's "The Hitchhiker" as the sinister kidnapper with one eye which stayed open even when he slept, and here plays an equally cold and brutal type.Lon Chaney (this would be Lon Chaney Jr. of course) who continued his career are "Wolfman" in roles demanding his broad nice guy quality that here gets twisted since he's also a thug.Charles Bronson, yes, whose big fame was still ahead ("Magnificent Seven" and "The Great Escape") and who appears here without his shirt on, of course (he's ripped).The rest of the movie follows these men as they escape, audaciously, and begin to rip into each other in an effort to find the hidden ransom money.There are a few stumbles and improbable turns here, but it's all done with such high stakes energy it really works. The one wet blanket on the whole thing is the overlay the producers add to the plot giving credit to the police forces who intrepidly solve the crime (the F.B.I. in particular), almost as if a government mandate. But never mind the drawbacks. If you watch this for its inventive energy and cast of characters, you'll be amazed. I'd watch it twice, even with the sometimes clunky direction. It's that fun.

MartinHafer The film begins with a little boy getting lost while at summer camp. Ralph Meeker finds the boy and pretends to be helping him, but actually is intent on kidnapping him and holding him for a huge ransom. Unfortunately, the kid dies while in his care but Meeker is an animal and STILL proceeds to get the money and then tries to skip town. However, the cold and calculating killer is caught and sent to prison--but unfortunately, all they can prove is that he extorted the money--not that he had anything to do with the boy's disappearance.This is sort of like a prison movie merged with a Film Noir flick. That's because much of the beginning and ending of the film is set outside prison and its style throughout was rather Noir inspired--with a format much like an episode of DRAGNET (the bloodier 1950s version, not the late 60s incarnation). However, it did lack some of the great Noir camera-work and lighting as well as the cool Noir lingo--but it still succeeded in telling a great story. What was definitely Noir was the unrelentingly awful and brutal nature of the film--a plus for Noir fans. Now I hate violent and bloody films, but this one was a bit more restrained but still very shocking for a 1950s audience--featuring some of the most brutal plot elements of the decade (tossing a child's body off a cliff, burning a corpse with a blowtorch to confuse in the identification of another corpse and the scene with the escaped prisoner who is scalded to death). Because of all this, the film was above all else, realistic and shocking--much of it due to the excellent script, straight-forward acting and a few excellent and unexpected plot twists.By the way, this is one of the earliest films in which Charles Bronson appears with this name (previously, he'd been billed as "Charlie Buchinsky"). When he takes his shirt off in the film, take a look at how muscle-bound he was--I sure would have hated to have tangled with him!! In his prime, he might have been the most buff actor in Hollywood history who DIDN'T suck down steroids (and, consequently, had minuscule testicles from this drug).

moonspinner55 Unintentional riot about a stony-faced extortionist (Ralph Meeker) arrested and copping a plea bargain with the courts, ending up in an impenetrable prison. Meeker's link to the kidnapping/disappearance of a child makes him quite unpopular with his cell-mates (including Charles Bronson, pumped up and perusing muscle magazines); fortunately for Ralph, this cell-block gang--led by a wily but not quite brutish Broderick Crawford--already have a break-out plan in the works. Film features the kind of "sinister", super-grave voice-over narration later popularized on the "Dragnet" TV show. Reviewers point out how ahead of its time the brutality was, and it's true that one killing is a bit shocking. However the rest of the picture is so low-budget (and drowsily low-key) that one begins to laugh out of sheer restlessness. The frenzied finale picks up some of the slack, ending on a jaw-dropping note. ** from ****

telegonus Rugged mid-fifties prison break flick with great cast,--Broderick Crawford, Ralph Meeker, Lon Chaney, Jr., Charles Bronson, Reed Hadley, Bill Bouchey and Roy Roberts--it oozes violence and cruelty, and is even today one tough, convincing little movie. Ralph Meeker is excellent as a cold-blooded killer known as 'the iceman", but Crawford has the film's best line when Meeker joins his prison cell: "The iceman cometh". Very watchable and outdoorsy, with fine work by a virile cast, it rather resembles stylistically Crawford's TV series Highway Patrol in its plain, police procedural take on the American western landscape of the fifties, with killers, like Commies, lurking behind every rock and tree. Strong stuff, and a worthy late entry in the prison escape genre.