Jeanskynebu the audience applauded

Steineded How sad is this?

Stevecorp Don't listen to the negative reviews

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

MartinHafer "Rififi" was a wonderful heist film and spurred on similar films like "Bob le Flambeur" and "Grand Slam". All these films showed elaborate robberies that were carried out with perfect precision. The teams were professional and highly skilled in each. However, with the Italian film "Big Deal on Madonna Street", we have a film that appears a lot like these other films but turns out to be a comedy of errors--where NOTHING goes right.The film begins with a guy getting caught for a petty crime and sent to jail. The problem is that he has a good plan for a robbery that will make him rich--and he and his gang of inepts cannot do the heist. So, they find an idiot who is willing to take credit for the crime that the boss is in jail for so that he can be released. Well, things DON'T work as they plan...and that's pretty much the way the entire film goes.This comedy is pleasant and enjoyable. However, I did not love the film and didn't quite enjoy it as much as the average viewer. It isn't that I disliked the film...it's just that it never really made me laugh out loud very often. It was funny...but only mildly so. Decent acting, however, and I did enjoy watching everyone yell so much....and made me wonder if this is in any way true of Italians (I sure assume it's not)!

fiorerr I am avoiding any sophisticated film analysis and simply stating this film is very funny. I admit I am afictionado of Italian films so perhaps I am overly generous in my appraisal. The photography evokes a time when Italy was just beginning to rise from the chaos of WWII and it offers a wonderful emotional change from the neo-realism of many of the era's classic films. It's the best slapstick, tried and true but presented with style and timing before the shticks became clichés......when Cosimo attempts to rob a jewelry pawn shop and points his gun at the owner asking him if he knows what he has in his hand, the proprietor insouciantly takes the gun from his hand and says "A Beretta in poor condition" and offers him 1000 Lire for it. There are many, many more examples but for me to recount them would detract from your enjoyment. To see Marcello and Claudia when they were younger than my children and before they were stars is good fun. Apropos of James Bond, just saw the new Casino Royale, in BDOMS when Cosimo is outside the jewelry pawn shop, 52 minutes+ into the DVD, the background music is the repeated opening bars of "Diamonds Are Forever" almost twenty years before Barry wrote the song for the James Bond flick.

stannotuttibene As is typical in most Italian comedies, Monicelli has taken a cup of post war Italy realism and stirred in a cup of scenes from the human condition along with a dash of physical comedy which makes 'Big Deal On Madonna Street' a bittersweet cake we all can enjoy.Like DeSica and Visconti, Monicelli uses post war Italy as the atmosphere in which these characters find themselves trying to eke out their lives. The recurring Italian film maker's theme of man against a complicated, bureaucratic life is no more evident than here. Throughout the film, the characters impressively quote Italian law by chapter and verse however this does not help them as they all have spent time in jail. The absurdity of knowledge without benefit of improvement is a another theme used. As Toto waxes eloquently regarding the sundry ways to break into a safe (one which the film goer is led to believe he knows nothing about), these men attempt to gain knowledge which they believe will deliver the big score. However even with knowing the apartment is empty, the type of safe the valuables are in and the way to gain access to the safe, their plan is flawed by their inability to execute what seems to them to be a fool proof blue print for success.While Monicelli's themes ring as clear as the bell that has Peppe il pantera (Gassman) on the canvas, the characterizations of this band of misfits are classic. A stuttering, would be fighter (Gassman), and an out-of-work photographer who has sold his camera to survive (Mastroianni)lead the crew. The scenes played between Gassman's 'everything's easy' attitude and Mastroianni's inquisitiveness provide the viewer with hilarious cat and mouse verbal trade-offs.In the end, 'Big Deal On Madonna Street' strikes a chord for viewers because we have all felt, at times, completely helpless by the absurdity of life and our pursuit for 'the prize' that we perceive will deliver us from our situation. However like this crew at the end of the film, we wake up every morning and realize that it's back to work to grind out another day.

rolee-1 One character approaches another to get him to take the rap for a crime. But he can't do it, so he suggests someone else. The third character can't do it either. Soon a half dozen people are in search of someone to take the rap. They eventually decide that they need someone without a previous criminal record. But none of them knows anyone without a criminal record.I had no idea it was going to be a comedy when I first started watching it. By the end I was laughing out loud. It's a little slow, but many Italian movies are a little slow and caper films usually build slowly. But it is thoroughly enjoyable with some gags that I've never seen anywhere else in film. Cosimo's bank heist was very amusing.If you've just recently watched The Bicycle Thief, and are depressed by the bleakness of life shown there, this movie is the perfect antidote. It shows the lighter side of people who are down on their luck.