FirstWitch
A movie that not only functions as a solid scarefest but a razor-sharp satire.
Roman Sampson
One of the most extraordinary films you will see this year. Take that as you want.
Erica Derrick
By the time the dramatic fireworks start popping off, each one feels earned.
Billy Ollie
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
victorsargeant
Altman usually is brilliant, but after many viewings of "Beyond Therapy" it does not come together, as a comedy. And I wanted it to be great.As usual, Altman, records the sound, in a real life conversational style, you have to strain to hear the lines. A second viewing will get you into the comedy, but you will have to work for it.Odd casting left me cold, but they did well, especially Glenda Jackson, and I loved her best.One of Ms. Jackson's last film appearances, before becoming a PM in England.Clever shots, in the window from the outside, was realistic, as you felt you were actually overhearing therapy sessions. Bein a family therapist myself, I found the story especially, amusing.They must have had a lot of fun, making this film.I wish I could have joined in the party, but felt remotely distant from the action, as an uninvited guest. Stage play originally, which had a short run in LA.Eat before you see this film, as the film's story will leave you hungry for dinner.
richard-mason
I agree with the other posters. I directed the Australian premiere of this play back in 1983, and just LOVED it and all of Christopher Durang's works (I also directed 'Dentity Crisis). So when I saw that one of my favourite directors of all time, Robert Altman, was making the film version, AND it had people like Glenda Jackson, Julie Hagerty, Tom Conti etc in it, I was agog with anticipation. It was probably my biggest disappointment in the cinema.What is it about Altman that he seems to make a real turkey about once or twice a decade, in between all the wonderful films he makes?What I can't understand is how Christopher Durang allowed his name to be credited as screenplay writer, when it's a travesty of his play. Especially what was done to the two psychiatrist characters..And why set such a New York story in Paris/And why ... and why .... oh forget it.
Bockharn
Comedy is hard. BEYOND THERAPY is, arguably, Christopher Durang's best play and Robert Altman's worst film. The casting of the film is not terrible -- on paper. But almost every other aspect of the film -- the direction, the look, the sound -- is wrong-headed, -hearted, and every other relevant organ-ed. Still, going on the principle that an artist should be judged by his best work, not his worst, enough about Altman. Even Homer nodded and I don't mean Homer Simpson, but, come to think of it --. Durang's comedy remains incisive and hilarious. From the perspective of 2004 it seems so embedded in its era that it effortlessly transcends its time -- like Restoration Comedy on a good night. This is nigh-on-impossible to see in the film, but it is happily evident in an audio recording made in 2002, featuring a splendid cast of gen-u-ine comic actors, headed by Catherine O'Hara, David Hyde Pierce, Kate MacGregor, and Richard Kind. It's "pure '80s." It's the "me decade" pressed down and flowing over. The peculiar idiocies of idiotic therapists are skewered on Durang's pen as are personal ads, grotesque drama (Eck! Eck! EQUUS!), let-it-all-hang-out personal interaction, and wildly "inappropriate" therapist/patient relationships. It is laugh-out-loud wonderful on CD and may serve to comfort the Durang and Altman fans who are justifiably horrified at the film.
Charly-25
Not only is Christopher Durang's delicious comedy totally ruined on film, the sound quality in many scenes is so bad, it is a painful strain on the ears of the viewers. Often Julie Hagerty's soft voice is completely drowned out by traffic and other background noises. Somebody, please remake this one!