Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Staci Frederick Blistering performances.

Mike King This 1979 movie was co-written, produced, and directed by Russ Meyer. Stuart Lancaster, credited as the Man from Small Town U.S.A., is the on-camera narrator of the movie. Early in the movie, Candy Samples appears briefly as the Very Big Blonde. Like everything else in this movie, she's larger than life. Lamar Shedd (Ken Kerr) can't satisfy his wife Lavonia (Kitten Natividad), because he can only climax in an unconventional way. Lavonia, with the aid of a wig and a Mexican accent, becomes a sexy stripper named Lola Langusta. Lola proceeds to bed down men with more standard sexual tastes. Lamar is put through a series of cures, culminating with the laying on of hands by a radio faith-healer named Sister Eufaula Roop, played by the super-stacked Anne Marie (67-25-36). Near the end of the movie, Uschi Digard has a cameo as SuperSoul. Russ Meyer himself appears at the end of the film to wrap up the movie. 1972 was a watershed year for adult movies, with the release of "Deep Throat" and "Behind The Green Door." Even though this was the most graphic of Russ Meyer's movies, it seemed tame by comparison. At the end of this movie, it says to look for the further adventures of Lola Langusta in "The Jaws Of Vixen." Unfortunately, that movie was never made. "Beneath The Valley Of The Ultra-Vixens" was the last of Russ Meyer's theatrical feature films. The Russ Meyer "Pandora Peaks" documentary was a direct-to-video release in 2001. Sadly, Russ Meyer died on September 18, 2004.

EVOL666 BENEATH THE VALLEY OF THE ULTRA-VIXENS is a Russ Meyer directed boobs, butts, and bush extravaganza where the plot really only has one purpose - to put the severely silicone-enhanced females in the film in as many clothes-shedding situations as possible...and I for one am totally OK with that.The story surrounds several inhabitants of "Smalltown USA" who are all pretty much a bunch of back-woods nymphos. The main storyline focuses on slow-witted Lamar and over-sexed Lavonia (played by super-sexy Meyer ex-girlfriend, Kitten Natividad...), a couple who have their own unique sexual problems. Lamar can only get turned on by screwing Lavonia in the ass, and Lavonia is an insatiable nympho that just can't get enough dick (or pussy in some cases) from anyone that's around. The film follows the antics of the couple as they try to work through their issues. Along the way, the audience is introduced to several other equally endowed women and equally IQ-deficient men, which leads to some pretty comical encounters...The plot may be gaunt, but the female flesh on display sure isn't. BENEATH THE VALLEY OF THE ULTRA-VIXENS has more gigantic tits, asses, and furry '70s puss-fros on display (and even a few boners for the ladies...) than you can shake your dong at. Again, the plot isn't anything to really write home about - but the situations that the characters are thrown into are pretty damn funny in most cases, and the virtually non-stop assault of semi-explicit soft-core sex scenes should keep any sexploit film-lover more than amused. My only real complaint would be the gross under-usage of Uschi Digard, Ann Marie, and Sharon Hill - all of whom are just as, if not hotter than Natividad - especially Uschi, who only gets one very short scene. Even so - sexploit fans will rejoice over this one. Not as memorable as BEYOND THE VALLEY OF THE DOLLS (my personal favorite of the handful of Meyer films that I've seen) but far more laden with nudity and sex - and I'll never complain about that. A fun and truly funny sex-romp that is well worth a look...8/10

richcyn OK, so it's a very corny flick. Duh, Russ trafficked in pure corn all the time. And Breasts. Did I mention Breasts? But let's talk about the editing since I was a Film minor in college. The editing and cinematography here is so challenging and professional, it makes the film explode off the screen. It's rapid and harsh. It gets the pulse going. And the social commentary and sarcastic humor of "Small Town USA" hits it's target full on.Finally, the overall energy and pace of the film kills just about anything that even remotely tries to imitate it these days. No wonder Russ really didn't do anything else after this-it was hit final "breast" work! (Hey- I abstained from even mentioning Kitten N. at all)

Maciste_Brother I don't know what offended me more in BENEATH THE VALLEY OF THE ULTRA-VIXENS. Was it the total crudeness of the story and the direction? The two blonde women with the disturbingly ugly fake breasts? Was it Kitten Natividad (who looks like Rosie Perez) portrayed as a nymphomaniac Charo on speed and who jumps on anything with a heartbeat? The German music and swastikas (what's with Meyer and Nazis anyway?)? Was it the pseudo-necrophilia where one of the blonde bimbos with the ugly fake breasts humps an old man in a coffin? The big chunky black woman who owns and operates a junkyard and forces her male employees to have sex with her? The dentist who's a psycho queenie homosexual man who wants to bed Lamar, the main character of the film? The incessant yammering from the old man, or from Kitten during the scenes with her dual persona, Lola Langusta (when she rapes Lamar, her husband), or from the Christian blonde bimbo radio announcer? Shut-up!!!! Is it the baptism scene? The unexplained reason why Lamar can't have sex without doing it doggy style? The scene of the vibrator dipped in vaseline? The all around ugly cast? People's blood being different colors, including a black man who bleeds white blood? The appearance of Russ Meyer during the nonsensical ending?I love earthy movies. And BTVOTUV is definitely earthy but it's too crude and unsophisticated to be enjoyable, even as a sex comedy. I mean, we're talking about something that's less sophisticated than an Austin Powers movie. Yessh! And the constant talking and music gave me a headache. This is Russ Meyer's last film, and was co-written by Roger Ebert(!!!), and even if it never takes itself seriously, it's an extremely overindulgent film, about everything, including the pervasive political incorrectness, which usually doesn't bother me but not this time. The political incorrectness in BTVOTUV is excessive.