Beneath Hill 60

2011 "After Gallipoli there was still a war to be won."
7| 2h2m| R| en| More Info
Released: 28 June 2011 Released
Producted By: Pacific Film and Television Commission
Country: Australia
Budget: 0
Revenue: 0
Official Website:
Info

The true story of Australia's cat-and-mouse underground mine warfare—one of the most misunderstood, misrepresented and mystifying conflicts of WW I. It was secret struggle BENEATH the Western Front that combined daring engineering, technology and science. Few on the surface knew of the brave, claustrophobic and sometimes barbaric work of these tunnellers.

Genre

Drama, History, War

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Beneath Hill 60 (2011) is now streaming with subscription on Prime Video

Director

Jeremy Sims

Production Companies

Pacific Film and Television Commission

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Beneath Hill 60 Audience Reviews

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.
annryall I have been researching my grandfather, Lieutenant Leonard Langdale Wrathall. He was awarded a Military Cross for removing an enemy road mine from a spot which was under heavy direct machine-gun fire. On the 3rd of October, 1918 in the vicinity of Estees and Ramicourt, he was engaged in the reconnaissance of roads captured during the advance. He examined roads up to our front line, and in many cases beyond it, and during the whole of both days worked under heavy shell and machine gun fire. Leonard enlisted in the the Australian forces in OCt 1915 as a geologist; his roll title was No 1 Mining Corps -2 and 3 Reinforcements. He spent 4 years in the army gaining the rank of 2nd Lieutenant in the Australian Tunnelling Corps and being concerned in the operations which led to the blowing up of Hill 60. I shall look forward to watching the movie and to see the experiences that they endured.
davidlaurie-238-839772 I first became aware of this story - including the real life inclusion of a couple of real-life distant relatives in that unit - when the local newspaper here reported on the making of the movie a couple of years back.Like some of the other reviewers here, I also found this movie to be better in some way than the likes of Gallipoli, Anzacs and Breaker Morant.I would recommend this film to anyone either wanting to simply see a good war movie, and to those wanting to know more about Australia's war history - even "fictionalised" and "dramatised" versions..Comparing this movie to "Hurt Locker" was surely a joke, on those reviewers part: Not only do the two have little in common, this movie is more realistic, and it IS based on real events (and not the twisted stories that end up in many American movies..). ~ and real people, several of whom came from around this region.. And they cover two entirely different eras...Calling "Hurt Locker" a superior movie was a ridiculous and pathetic comparison on a couple of people's parts ~ in reality, they are two completely different movies ~ and I consider "Beneath Hill 60" to be a much better and more worthwhile than that average American offering."Beneath Hill 60" earns Ten Stars from me..
eliza_gaskell This is a movie that every Australian must watch. It's a story about the unforgotten heroes, who went and did their bit for the Great War. Amazingly it's based on a true story of miners who, went to the Western Front and dug a network of tunnels deep beneath the Germans. Implanted within the labyrinth of tunnels, is millions of explosives waiting to be set off.What makes this film is the human side of emotion. There is mate ship and bonds which can never be set aside; experiences that only the men can relate to. There is the love story between Oliver Woodward (Brendan Cowell) and young Marjorie Waddell (Bella Heathcote). And you see the youthful innocence of young men, in particular Frank Tiffin, played by Harrison Gilbertson and Walter Sneddon (Alex Thompson).The contrast between the Queensland and the war is reflected in the use of colour and lighting. Queensland is bathed in sunlight, warm clean colours and in the costumes. While the Western Front is portrayed in constant bleak colours where bright colours don't exist. It's cold, wet and rain(for some reason, it's not a war movie until is has the element of rain and coldness).The English accent of the British troops are not great, they sound more like upper crust Australians. But apart from that comment, this is a gem of a movie. It will have you hooked until the very last second.
michael lord This is my first film review on this site as a student, so bear with me.Being a massive fan of several modern war films, i was rather impressed with the production values on show here. This movie never felt like set design; the mud, the blood, the dirt and the trenches all instantly transported the viewer to the western front World War I. To see how far Australian film has come along in the last decade has really impressed me, to be able to move away from schlocky World War I television mini series of past years to a film of this caliber is truly an amazing thing, and the whole production crew for this film should be very proud of the final product that they have produced.The picture and sound would easily make it comparable to any Hollywood releases of this era in film, and it is nice to see Australia able to technically compete with the rest of the world in that regard.I think the script and cast were criticized perhaps too harshly by some, i found that the script perfectly mixed both the central love story of the main protagonist's sweetheart back home and the mess that was the war. Many movies (Pearl Harbor and Saving Private Ryan for instance) often make the mistake of having sequences of reflection/discussion that last too long, often bringing out an unfortunate feeling of Hollywood plot cheesiness. The former film indeed swamped so much romance into the film it felt the war was lost in the final product. There is enough flashes to the protagonists home, to his sweetheart and happier times to help the audience not be "war wearied" by the continuous darkness of the trenches without detracting from the point that this is a movie about war. At no time did any individuals musings of home, tears for the lost or moments of weakness feel out of character or like it was just added into the story in an effort to reach audiences. At the same time there is not too much of these scenes to remove the viewer from the war front long enough for the tension of the situation to be removed. I think the director has masterfully combined the two in a way that many better known directors often don't succeed at doing.It was very interesting to see also the interactions between the Australian and British troops in this movie, and I think one of the testament scenes in this movie would be the passing of a bottle of wine to the moving Australians to the remaining British troops on the line in a sign of solidarity. There have been some opinions that this film brings into light the British rather unfavorably but I don't think this was the intention of the director. If anything this film is very much about mate ship, and how in the end its not the officers keeping you and your men alive through this war, but each other.I would encourage all Australians to see this movie and support its work, but I would also encourage foreigners to view this movie, it is a tense and exciting story well worth your time. In closing, to be honest i never really viewed this as an "Aussie Movie" the whole time i viewed it, but simply as a movie. And i think that is the biggest triumph of Australian film to be able to remove a nationality from a film and to make it universally enjoyable by all.