Exoticalot People are voting emotionally.

RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Megamind To all those who have watched it: I hope you enjoyed it as much as I do.

Bumpy Chip It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

thinbeach It appears I've walked straight into the middle of a series, not knowing beforehand this was a sequel to Stolen Kisses, which I haven't yet seen. A pity, but in the spirit of Antoine Doinel, I shall accept this misfortune nonchalantly! For about two thirds its runtime Bed and Board is very enjoyable, full of charming characters saying humorous and delightful things. Little moments of relationship interplay are handled with the deftest touch by Truffaut, the acting is first class, and the small Parisian courtyard and surrounding apartments come alive. Unfortunately the film takes an all too simple turn, as Antoine cheats on his wife with an Asian woman, and much of the good grace it has earnt to that point dissipates. To close with a shot of Antoine and Christine's life mimicking the older couple they live alongside was clever storytelling, but wrapped in a very cynical moral. A masterpiece would have had something more brilliant to say.

Polaris_DiB Truffaut's Antoine Doinel avatar returns in a cute movie about a young man newly experiencing marital bliss. This means, of course, that arguments are to be had, babies to be birthed, and infidelity to be explored. Now of course I wouldn't mind a beautiful Japanese woman either, but I'm not married and this turn of events was rather predictable. Nevertheless, it's all romance and good cheer as Doinel slowly learns that he really does love his wife and no other, and grows more and more frustrated with the other woman who expects too much of him. At least it's not Fatal Attraction, but a strange Jan Svankmajer-like flower decomposing scene, followed by a campy reveal, makes the movie a little bit more interesting than your typical domestic drama.Though, to be perfectly honest, I prefer the 400 Blows. Nevertheless! Francophiles will have a lot of fun watching the small urban community that satellites the action, and Truffaut's direction and cinematography is gorgeous in its own right. Just don't expect anything profound in this comedy about a moody young Frenchman feeling a little confused (haven't seen that before, aye?).--PolarisDiB

Claudio Carvalho Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives private classes of violin. When Christine is near to have a baby, Antoine decides to find a new job, and he succeeds due to a misunderstanding of his employer. In a business meeting, he meets the Japanese Kyoko (Mademoiselle Hiroko) and they have an affair. When Christine accidentally discovers that Antoine has a lover, they separate. But later they miss each other and realize that they do love each other."Domicile Conjugal" is a delightful and very funny "Scenes from a Marriage" by Truffault. His ambiguous alter-ego Antoine Doinel is responsible for hilarious scenes: the dialog in English with his future boss while looking for a job; charging the mother of a student of violin; the surrealistic dialogs with the guy that borrows money from him; his unusual work of maneuvering model boats. The chemistry of Jean-Pierre Léaud and Claude Jade is also amazing, with many wonderful dialogs and beautiful scenes. I particularly like their kiss in the wine cellar, which repeats "Baisers Volés", but with Christine having the attitude this time; or when he calls her "my little mother, my little sister, my little daughter" in the cab, and she replies that she would like to be his wife; or their dialog when she is wearing glasses on the bed or when he calls her in the restaurant. "Domicile Conjugal" is a simple but lovely movie. My vote is eight.Title (Brazil): "Domicílio Conjugal" ("Conjugal Domicile")Note: On 14 June 2009. I saw this movie again on DVD.

RARubin No #4 in the Antoine series, five films beginning with 400 Blows, Antoine, the dreamer, has got himself a fine young wife, his opposite really, prim and well mannered. Their romantic first year is a series of funny neighbors and comical whimsy. I learned how to die the color of flowers, more interesting than one would think. I learned about hurrying a wife along by throwing her coat and bag down a stairway. I learned that relationships go wrong when one gives in to lust. Hey, I knew that.Jean-Pierre Leaud has a physical resemblance to Truffaut. These episodic films, the ones in color that I have seen remind one of a HBO mini-series. His autobiographical Doinel is from a broken family. In the 400 blows, a masterpiece really of the New French Cinema in the late 50's, we see the lonely kid grasping for understanding. In subsequent films, we see the young adult Doinel grasp at relationship and career. The next beautiful woman is always around the corner. In Bread and Board, the femme fatale is 70's Japanese Go Go Chick, Hiroko Berghauer. Notice the heavy eye make-up on the women that make them look like zombies.