Jeanskynebu the audience applauded

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

Leone Julitte There is no place like New Orleans to give birth to someone like James Booker and even simply to understand a little bit about this city, it is worthy to watch this documentary.I don't know what touched me the most, the man, his story or the undeniable genius of his piano playing. I left my first viewing of this movie filled with love, music, laughter and sadness. Filled with a renewed love for New Orleans, its music and its people. Filled with a immense love for James Booker's limitless talent and personality. (and yeah, I saw it again a couple times after that, still the same result)I often feel musician documentaries don't do justice to their subject, often too dramatized or limited. But here, you can feel the care Lily Keber put into this documentary. The amazing people she gathered to talk about this intricate man, the consequent amount and quality of footage she assembled to carry it. Probably due to the complexity of James Booker's life which called for such a film to exist and forced the out most regard and sharpness for its narration. Also, may be because New Orleans' giant and loud musician community would have whooped her ass if she didn't do it right.James Booker is a legendary piano master and a person everybody should discover and won't help but fall in love with. Thank you for making this happen Ms. Keber.

Kate Mathews Bayou Maharajah introduces you to a New Orleans of a different time and a character as eccentric as he was beloved. New Orleans lost a little bit of itself when James Booker died, but unlike so many of the things that have been lost in the Crescent City over time, this film brings Booker back from the dead, and imprints his raucous, sweet, and sad spirit on our souls. if you're a fan of funk, rock, soul, rhythm and blues, this movie's for you. If you like characters so wild they could only be real, this movie's for you. If you like Dr. John, Harry Connick Jr., Deacon John, and more, speaking on behalf of rock legends, this movie is for you. This is a wildly entertaining documentary with an incredible soundtrack and absolutely not to be missed.

Peppermintfilms I lived above James Booker in the French Quarter on Dumaine Street in New Orleans in 1983 and one morning I came downstairs on my way to work and saw him standing in front door of his courtyard apartment and he asked me to call him am ambulance. That night when I came home the door to the courtyard was wide open and I somehow sensed the inevitable. I walked over to the french doors of his apartment, peered through the glass. All was quiet but I remember seeing his hats and canes on the wall right in front of me. I found out soon after that he had died that day. His music is exceptional and will send a lightning bolt through you the second you hear him sing and play his first note. Soulful and yearning, the circumstances of his life molded him and we get a real sense of who he was in this film. The effects of his music is immediate and Booker is a dynamic presence. I don't think I'll ever love a piano player more than James Booker and am forever enriched as I recall his sound, electrifying, soulful and grabbing at your heartstrings. How wonderful we get this glimpse into his genius that is so important to remember and pay tribute to.

alchampagne981 The fact that this has still not found a distributor makes me worry about the future of the medium. I can honestly say that this is among the greatest documentary films I have ever seen (and I've seen A LOT). James Booker was such an extraordinary character that even a so-so filmmaker would be make something able to hold your interest. Fortunately for us, it comes from a director, Lily Keber, has the potential to rank alongside the undisputed greats such as Errol Morris and Werner Herzog. The only thing that seems to be standing in the way is the fact that there is (as of yet) no distributor. The recent wave of music documentaries spotlighting lesser known bands and musicians ('Searching For Sugarman, A Band Called Death, Big Star: Nothing Can Hurt Me, etc.) makes this one a surefire hit. GET ON IT!