Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Kimball Exactly the movie you think it is, but not the movie you want it to be.

Herag Halli Good Indian movies are pleasure to watch, since they are extremely well made comparable to American or Italian movies. They always have a message to be taken to the next generation. But in the last five years or so, they are being brainwashed by these non Indian Suvvar rats, who have come illegally from the neiboring country, who have no respect for Indian culture or tradition and these scums were born to scums and they have taken the Hindi movies down the toilet. Their movies have toilet humor and gutter themes made for the sole purpose of making fast buck for these banchods who should go back to the sewer where they came from and stay there. Good producers and directors can't compete with this banchods or stoop down to their level, hence the good movies like "Banaras" are few and far apart. The majority of Indians are ashamed of these maggots, who are on the top because they are promoted by the Suvvar Rats of the Media who are also born to Rats. This is a movie that is a glee to watch. The cast is commendable with a good piece of acting by Urmila As Shwetambari. The story is not contrived but down to earth. This movie has a message of love and respect for the higher being. Ashmita Patel has the serene look needed for the part. Benares is the religious capitol of India that people from all walks of life come to purify their soul.

R Smith At the time of watching this, I wasn't bothering with many films at all. The reason being, it seemed most films were dramatic for the sake of drama, and in the process, they sacrifice the purity of the message. That didn't happen here. The film has a subheading of 'A Mystical Love Story'.. And thats exactly what you get. When I weigh everything up, other comments posted here, my own experience, then I come to this conclusion: I'd say This film achieves what it set out to achieve & The story doesn't falter in its culmination. I felt quite satisfied at the end, and not just tantalized by some over-dramatic cheap thrill with no lasting message.

Sreeram Iyer Has all ingredients of an all-time great movie! Powerful storyline - Love, Romance, status & clash of social values, joy/sorrow, desire/surrender, success/failure,covetousness, suspense of the who-dun- it, control interference and the fight for freedom, purity/sin, justice retribution/understanding, the dilemma of science (physics) vs metaphysics(spiritual/religious thought), the deep hunger/urge in man for meaning & Verities/"Truth" and ideas of Eternal/Ephemeral existence - in short a cameo of LIFE itself."Banaras" even has "action", murder/violence/death which is idiomatically alluded to for each viewer to visualize - or is simply depicted with quiet finality - as in life! I cannot say when I last enjoyed such a totally absorbing masterpiece. I has always wondered if someone would attempt to make a movie that would address all these issues in 2/3 hours. I finally found one that fits the bill! The portrayal of culture, locale is excellent and authentic. The superb music and lyrics - which run completely true to storyline - mood and message as well as events - both timely and timeless. Banaras presents even very deep "fantastic" spiritual concepts: such as 1. the expansion/mergence of the human consciousness with super/cosmic consciousness and 2. Love as the bedrock of all existence 3. The guru-disciple relationship which fords life, death and Infinity seamlessly 4. Principles of spiritual crisis and healing 5. The karma - the cause and effect principle (where we sows the result if our actions - and create/destroy our joy/life by our actions), 6. Forgiveness - cessation of "blame" by absolute love/understanding/surrender (despite awareness of the "sinful" actions) 7. Intuitive transmission/reception of thought/ideas in an excellent manner - with seemingly effortless natural ease - which is again as it should be because "Truth is simple". I saw this once and then had to go back to see it again - because I felt I needed to be a true critic more balanced in my opinion and so must find fault if there is some. I could not fault even the cinematography. The perception of the untouchable - was expressed through the sweeping, the rising of the dust, and the dropping of the broom, all too effectively - the effect was almost viscerally tangible!The authenticity of portrayal of "supernatural" events with real spiritual experience is also astounding!A big thank you to the team! Kudos to each performer - for perfect portrayal of each role and to Pankaj and the editors for a very slick presentation. If Oscars were mine to give - Banaras would surely have had them! May it be the first of many more in its genre - to come from my beloved India!

asana Is it merely a cultural thing that did not allow me the illusion that this film seeks to portray? Having visited India I know that this movie displays a very tiny facade of what Indians think would be appealing about their fascinating country. The Bollywood film _Ek Dhun Banaras Kee_(qv) never leaves the realm of comely mass entertainment.So in great wonderment I saw only the most beautiful facades of the oldest holy city on river Ganges, a sadly polluted river shown here as clean as a mountain stream. There is no reality street life in this movie, we are forced into the unreal world of a film as if ordered by the city's Tourist Development Agency.'Ashmit Patel'(qv)'s pretty-boy face is directed like a south-American music video with all smiles and no substance. There was no acting demanded of him. He would do well selling deodorant in France.The story wants to be spiritually deep and socially conscious by juxtaposing two stylized lovers from different castes. The potential conflict are undramatically produced, after we are given about twenty minutes of showing the couple at Banares' famous temples and river banks, looking at each other in unspontaneously staged settings that really irks everyone who want to be swept away by a movie's illusions instead of watching a long toothpaste or chewing gum commercial. This is a good travel promotion or a boring music video, and one can only wonder what audience it was made for. If it is shown to Indians, they must be proud of a movie of aesthetic beauty that shows their country without problems, except the unfortunate castes system. Shown to western audiences it become a romantic travel film, and as we have seen, accepted both quite favorably by IMDb users of Indian decent and Westerners alike.Besides a cast of pretty people --even Babaji the spiritual teacher floats about with the neatest beard and most perfect robes in white and red-- the film wants to teach basic Hindi and Buddhistic values. It even forewarns its audiences at the beginning that it does not want to promote superstitions, but in almost every scene the accoutrement of superstitious beliefs are shown: ornaments, mystic sculptures, flower petals strewn about, chants and incense. Even the character played by the beautiful 'Urmila Matondkar'(qv) indulges in dreamy superstitious rituals. I respect all belief systems, but if a director forewarns of something he is supposedly not wanting to promote, and we see it all over his film, we have a choice to either believe that he does not notice ritualistic superstitions any longer due to his cultural blindness, or that he really beliefs that his message has transgressed superstition. And it is exactly this message that one would have liked not to see running into sturdy road blocks.Namely the endeavor to transgress a banal and forbidden love story without careful exposition, and fall into the trap of cinematographically created ambiance that actually overpowers the actors. Pretty pictures are nice if you can not travel to the heart of the holy city, but in this case the story suffers and certainly takes away from the filmmakers ambitions.And the story is the age-old apparent conflict between science and religion. Do we get enough information and exposition to learn something new, or even care to contemplate this important topic? No. Is Banares well photographed? Yes, the parts that are devoid of real street life and real people, who normally bring life to the temples. Is there a tension between the lovers? No. Are we happy for them falling in love because we feel their hearts? No. Is the parent-child, castes conflict melodrama powerful enough to move us? No. Are age-old chants well produced like a music video? Yes, excellently. Does the movie do justice to the promos and hype about the alleged conflict of religious beliefs and modern science, or its presentations of the philosophy of love or even as found in romantic love? Nothing deep there. Is the storytelling moving the film forward? No, it stops too often to dwell on its on pretty pretensions.It's eye candy at best, and the two protagonists do not connect except as another daft acting job. The dying dad at the beginning gives much story away, but even he looked pretty healthy as if there was no make-up designer on duty that day. Melodrama, yes. Sizzling love and real drama over the lingering castes system and parental cultural fossilization, no.