Scanialara You won't be disappointed!

Stellead Don't listen to the Hype. It's awful

CrawlerChunky In truth, there is barely enough story here to make a film.

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

tavm Just watched this doc on YouTube. It's a fascinating look at the Blaxploitation film era, roughly 1971-75, and some of the people involved in it who consented to an interview like Pam Grier, Fred Williamson, Gloria Hendry, plus Caucasians like Larry Cohen as well as Quentin Tarantino, the latter having grown up watching those films and then putting Grier in his Jackie Brown as a tribute to them. I've seen many of these films when renting videos during the '90s and have reviewed some of them on this site and since many of them are also online, I may review many more in the near future. Many of the movies are of their time but many also still have their merits as entertainment. I mean, Shaft, Coffy, Foxy Brown, and Super Fly, well, they're bad Mutha (Shut Yo' Mouth)! So watch this space for my reviews of those and more...

Dalbert Pringle ("BaadAssss Cinema" movie-quote) - "Don't jive me, you lousy, black mother-fukker!!" For the most part - This 60-minute documentary was a pretty entertaining look back at the movie genre known as "Blaxploitation" which came into its own in the USA during the early-to-mid 1970s (and, then, like disco, it faded away into obscurity).Believe me - It was really quite a hoot looking back at the hilarious, bad-boy/bad-girl fashion trends that prevailed amongst blacks during those turbulent days in pop culture. It was all platform shoes, big "Afro" hairdos, and skintight outfits, non-stop.Through a continual parade of blaxploitation film clips, along with interviews from actors, film historians, and directors - The viewer gets a golden opportunity to enjoy a real slice of bad-ass cinema at its absolute baddest.*Final note* - I think that Quentin Tarantino (and his limp-wristed hand contortions) should be christened "The Countess of Flatulence". He really should.

AfroPixFlix Cold-blooded balance of entertainment and academic perspectives on the so-called blaxploitation urban films of the seventies. This is not only useful as a seminal film rundown, but also for its educative industry participant interviews. Two, of Pam Grier and Quentin Tarrantino, are respectively honest and energetic. Others, of Fred Williamson and Gloria Hendry, reek of bitter, unfounded entitlement. BAADASSSS also delves into the debates on the responsibilities, or lack thereof, this genre had to the broader socio-political context. Here, reviewer Elvis Mitchell provides especially introspective guidance. AfroPixFlix throws down 9 sho-nuff greasy cake-cutters for this Isaac Julien reel deel.

Brian Ellis A pretty good overview of black cinema in the early '70's. The first ten minutes are taken up with trying to set the political climate of the time, which I don't think is necessary, this is about movies. Clips from all of the major films are shown: "Superfly", "Sweet Sweetback...", "Shaft", etc... Plus nothing is cut out so the viewer is allowed to see the "shocking" stuff. Of the talking heads, Fred Williamson, Larry Cohen and Pam Grier come off as the most interesting, although film historian, Armond White adds a lot. As with most documentaries, there is some head scratching, Afeni Skakur and Quentin Tarantino add nothing and could have been easily dropped. I also have to disagree with "Jackie Brown" being an homage to these films. But those are minor quibbles. Anyone interested in delving into this genre should watch this documentary.