BootDigest Such a frustrating disappointment

BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Bofsensai Normally I'd avoid sharing a review of such an insipid, rather tedious offering: but in view of the wildly differing viewpoints here (all positive quite likely, as already surmised elsewhere, by those somehow connected to this production), since if, ah, tolerated with the right 'in the know' watch, this one can somehow be, ah, sorta intriguing - sort of - a (tiny) bit ... for this is story of a girl whose mother mysteriously died (no plot spoiler here=see film to know how), directed by the mother who cast (it's in the credits) her own daughter as the 'girl' seeking the truth of ...well, check the title, telling us right upfront what to expect!Which, so besides casting and coming up with this story, that mother director also (co) wrote the screenplay, produced and .. well: suffice to say, you soon realise that this is somehow some sort of family affair - which is the film's plotline too: (although, note: first (co?) director credit given in opening sequence, goes to an Arlo Malarone ... ) Said daughter, lead role actress, also composed several of tunes hereto e.g. including both over the end credits in which the last lyrics include 'What you think is true .. isn't + how could you favour this involute crime', so in case you unsure what's it all about, surely confirms all that gone before; plus it was further - just coincidentally - also produced by director's 'spouse' too - meaning, presumably the - real - (step?) father of the said lead actress, who in the film ... ahh, I nearly give away too much. Ohh, what could it all mean? So that, when you know this, it's a rather odd storyline plot to be so presented by such mother-daughter pair.The problem is, in travailing through this dull palette (mostly almost only sepia toned, except for when daughter first full shot of, for a splash of sumptuous - lipsticked, at least - colour), the directorial tedium (ineptness? Too harsh! But 'wake up' indeed!) seeps out with rather far too may turgid talking heads exposition longueurs (father with daughter, daughter with faux boyfriend, father figure (lecherous undertaker?! I gave up trying to link them) with local baddy ....): but if to persevere, then you can enjoy spotting the director, having cast (it's in the credits) herself as local 'rest home' institution doctor (Rockwell), in which, you can further ponder the almost unfathomableness written by the director of the oddly 'are they there or are they not' appearances of the 'lost' uncle - E. Furlong's really only scene, emoting far too over the top - and even Olli Stone's documentary maker son, Sean, as 'man with fedora hat' role. (His purpose role? Guardian angel, perhaps: although probably cameo role in thanks for the catering / home use? Both as given in the credits - again - anyway.) Also you can enjoy veteran actor Savage's Dad's attempt to give his character gravitas: have a drink every time he purses his hands to his lips (in prayer, no one will catch this one?) Plus, in the 'so, what's that got to do much with the plot'? interminable funeral parlour locations (morbid delight, Ms. Engle?), giving, ah, rise to other oddity roles like the family Johansson played by presumably the reality related 'Girards', along with - was it as their daughter? (I really gave up trying to follow) - a Rosilyn Kazanjian as one of two credited 'embalmed bodies' (yep: as noted in the credits! - another is also credited as one of many (many) production assistants, too): even as far as characters named 'Namath' and 'Cranium' (who? Latter, played by Raw Leiba = again: who?)There's likely more: but I couldn't be bothered to watch it through again to check (e.g. what's with the 'startling' blue teddy bear poster ...?): but you might somehow tolerate it if you knew such nepotism like intricacies in advance: so as to, I could still advise, stick with 'til its denouement section as a - although admittedly rather feeble - still shock reveal finally arrives, so that even if, as one other reviewer noticed, it's not really a horror, despite the come on box that my DVD came in which shows a creepy adult menacingly behind an innocent looking child, but which is, in effect, not only a red herring, but a con to the plot presented by Ms. Engle. In short; atrocious!N.B. To really challenge your familial appreciation, I would recommend to fun double bill it with another crass family affair effort: Caspar van Dien's 'Sleeping Beauty'!

kelly anderson I was surprised at the fact that when I first saw the cover of this film I thought it would be a random horror flick, but it actually turned out to be a great mystery and psychological movie. I love movies with a good progression in the story and seeing eventually how it all led to the final conclusion. It makes you think that you know all the answers at the beginning but later on shows you a different side to things. The actors in this film did really well in conveying this progressive story and should continue on to making films like this one. I would recommend this to people who love a good story with twists. We need more films like this one around.

Nikki Graham I wanted to mention that I am the type who usually watches movies that are made from the big daddies of the film industry. That means that I would only watch films with highly known actors and directors. Recently however, I've began to watch independent films and there are a good amount of rare gems out there and this is one of those rare gems. I really enjoyed the story and the characters felt so real. While watching this movie I was making some intense connections with the characters, especially with the main protagonist. I really felt everything that she was going through, especially with the loss of her mother and her wanting to know what really happened to her. My point is that nowadays the film industry sometimes dishes out movies with great visuals, but with a bad story and horrible cast in characters. Although this film was not so flashy the story and how it played out was really good. Glad to see that there are still good movies out there that doesn't try to be like everyone else.

tokzan This move was just so awkward to watch. The actors were terrible, you really noticed the actors read a script and the emotions were not realistic.The movie itself didn't really make much sense, you felt no connection to the characters and in the end you're sitting there thinking: "Okaaay, was this really a horror? Felt more like a bad comedy"I don't believe at all that most people that have given this movie good scores are for real. If you look at the most people that scored this high, you will see most of them are members since the same month they reviewed this movie and many of them have only given 1 movie reviews and scored 1 movie - guess what? Yeah exactly, this crappy movie.Don't waste your time on this "movie", I'm serious! You're gonna regret you gave this movie 2 hours of your life, when you could have watch paint dry instead - a lot more fun!