Michael Ledo
Henry Whipple (Dennis Quaid) has it all, a loving family, a successful business, and a mistress (Heather Graham). He is an aggressive seed salesman and farmer. His oldest son would rather travel the world and his younger son Dean (Zac Efron) is cynical and doesn't want to be around his father. He wants to race cars and have a good time with his "feral" girlfriend (Maika Monroe).Henry doesn't always abide by the rules. Dean has anger management issues. Things come to a head as Henry has to choose to make things right or face dire consequences.The film is an okay drama, that perhaps plays out better in Iowa. The characters nicely evolved in the film, although they didn't grab me. Might make for a drama rental at a low price.Parental Guidance: F-bomb, sex, porno magazine nudity of a topless woman with a male organ at her mouth. Must be the strong graphic reference mentioned on rating.
mawdawg73
I had high hopes for this movie, but the main characters commit adultery, robbery and murder, all without any consequences whatsoever, and life just rolls happily on. This is probably Dennis Quaid's worst work ever. He hammed and overacted all the way through. Heather Graham's role was completely unnecessary and served no purpose. Zac Efron was the only bright spot in the movie, giving a solid performance and showing his A-list potential. The wife's character is an ignorant and gullible fool, and either they have a totally incompetent police department in that town, or else the screenwriters are, because this script is unrealistic trash with gaping plot holes throughout. It's a shame, because so much more could have been told about the problems facing family farms today, but this movie is a total waste of time.
pcpersons2
I didn't have anything to watch so I went to Video on Demand, that was the worst mistake I have ever made. First of all, the trailers show the whole movie that had any good parts. I was completely grossed out by Dennis Quaid getting it on with a girl more than half his age. The noises...OMG it took about 3 weeks to get that thought out of my head. Then it was so unbelievable when Zac Efron's character killed someone and they just buried the body and went on with their lives. For real? It reminded me of 'Unfaithful' where Richard Gere's character hits the guy and he is dead and he hides his body. The same concept. It was short, but that was probably the best thing about it. The way it ended was just plain stupid. No one came clean about the death, they just brushed it off. Stupid movie.
Steve Pulaski
Sometimes, a movie character's stress is so all-encompassing and so consuming in his or her world that you begin to feel it in your own world, regardless of whether or not you've experience what they're going through. Director Ramin Bahrani, if nothing else, articulates internal conflicts and mental pressure beautifully in his latest offering At Any Price, a landmark in his film career as it is the most mainstream release a film of his has gotten and I'm sure numerous people still haven't heard about it.This is my introduction to Bahrani's work as a feature film director. His short film, simply titled "Paper Bag," was, hear me out, a twenty minute long film focusing on a listless paper bag that would travel by the way of the wind and would encounter numerous animals and obstacles along the way. The short was narrated by iconic actor and director Werner Herzog and possessed such an absurdist beauty about it that was equal parts whimsical and heartwarming. I couldn't recommend it enough.The film stars Dennis Quaid as Henry Whipple, owner of more than 3,000 acres of farmland in Iowa and the proud inheritor of Liberty Seeds, a company that sells and utilizes genetically-modified seeds. Henry hopes one day he'll be able to pass on the farm to his young son, like his dad did to him. However, his son Dean (Zac Efron) shows no interest in inheriting the farm, and sets his sights on being a race-car driver, competing in local events statewide in order to obtain money to perhaps make it that far. He is given encouragement by Cadence (Maika Monroe), his sort-of girlfriend, even though he begins to write her off as his aspirations begin to seemingly evolve into something. In need of help, with competition in the contemporary agriculture world increasing and the possibility of a scandal on Liberty Seeds becoming others' knowledge, Henry takes Cadence underneath his wing as an intern and introduces her to the world, while simultaneously trying to combat it.It's clear that Bahrani didn't just want to use Iowa farmlands as a backdrop for his story. Him and co-writer Hallie Elizabeth Newton admirably immerse themselves into the culture of competitive agriculture, and show audiences through board-meetings, shady deals, and family dialog just how stressful of an environment this is. But what At Any Price's ultimate goal is lies on how it portrays the search for values and morality when money and company-placement is what it all boils down to. This isn't a tiresome trudge through morality in terms of how each right and wrong is rewarded, but rather it's about the choices we make and how we want to be seen by others. Henry seems like he once started out as an honest, moral man of his word, but now, he possesses the transparency, the attitude, and the fake smile akin to that of a politician. His son Dean is lost in the idea of trying to find himself when his father is not showing the characteristics of a role model or a caring member of his family. He worries about position and what the public thinks they know about him. This leads Dean to do things in the film he will later regret, if he chooses to reconnect with the path of kinder humanism.A story like this is only levied by performances, and thankfully the likes of Dennis Quaid and Zac Efron offer remarkably maturing ones. Quaid is an actor somewhat like Nicolas Cage and Robert De Niro in the way he chooses sometimes completely asinine film roles that clearly do not challenge him in ways we love to seem him challenged. But every so often, Quaid - like Cage and De Niro - will choose an offbeat film role and knock it out of the park. Scarcely has stress on a film character been so evident and relatable and this is thanks to a performance of remarkable quality by Quaid. Efron, as well, after hanging in the teen-girl crowd for a bit too long with films like High School Musical, 17 Again, and Charlie St. Cloud that, while maybe fun on an escapist level, do not give him the appropriate amount of human leverage he deserves. In At Any Price, he evokes a much more mature persona than we've seen him, and if he can't tolerate the lack of limelight and publicity a film like this brings, I see no reason why he wouldn't continue to do films like these.This is one the heaviest character-pieces I've come across this year. Not a lot happens in the film, but what does is subtle and strong in terms of furthering an encompassing theme. The film could be mistaken for sending mixed signals due to its unfocused nature, be a bit impulsive with some plot-strands not developing enough, and be criticized as too methodical because of several scenes relying on time passing and location. I agree with all of these points on some level, but feel the large majority of criticism has missed the mark because it doesn't give the film credit for attempting to articulate something that is greatly becoming grayer and grayer and that is what we, as humans, value in life. We like to think of ourselves as kind, gentle people, but when several outlets bombard us with dehumanizing stereotypes, images of pure cruelty, and the degradation of a moral compass and an increase in narcissistic, arrogant importance - especially in American culture - it's becoming a bit disconcerting in how nihilistic and careless we have become as a whole. At Any Price tries to magnify this concern, but on a much smaller scale, and remarkably succeeds in some very difficult aspects - especially considering it features a story that can easily be written off as noneventful.
