Jeanskynebu the audience applauded

Rijndri Load of rubbish!!

Numerootno A story that's too fascinating to pass by...

Staci Frederick Blistering performances.

Shaila Kumbhare So much of this movie was horrendous. Owen Wilson's character Steve, our protagonist, is an unlikeable peeping-tom whose cliche playboy persona is so tired I almost fell asleep every time he was on screen. His character arc is meant to be about him growing up and learning responsibility. But, these changes are only motivated by the desire to have sex with his best friend's step-mom, Angela. His subsequent tantrum that she sleeps with his friend and not him reminded me of a child screaming "that's MY toy!" on the playground. Steve is certainly no Don Draper. Amy Poehler's character is portrayed as a total stick in the mud, even though her dad's just died and she's going through hormone treatments and her behaviours were pretty understandable. Who wouldn't be mad that their step-mom showed up to their father's funeral in a see-through dress? Who wouldn't be pissed that their dad left their sibling WAY more money and assets in the will? Who in their right mind would want their brother's high as the stratosphere, dead-beat friend interjecting in private discussions about her father's will? Suuuuuch a buzzkill. The real treat of this movie though is Angela, the aforementioned step-mother. She is meant to be seen as this earthy, loving woman who heals the men around her. But she only seems to do this with sex. And baking pies. Maybe Matthew Weiner should stick to directing shows about the 60s cause that time is a lot more in tune with his views on women. Owen Wilson yells at her toward the end of the movie that she has no responsibilities and just gets everything she wants because she's hot. This line is meant to be taken as super mean and uncalled for-but it's true. Maybe I'm a prude, but banging your step-son SHOULD be frowned upon. More than that, the idea that having sex with his stepmom would help Ben's mental-health is absurd. And, the suggestion that once you start to take medication you can instantly get better and change your whole outlook and lifestyle is ridiculous. And, in almost every scene something weird and unrealistic happened that pulled me out of the story. Examples: A prostitute calls and leaves a voicemail to confirm an appointment just like the dentist. Owen Wilson, a 50 year old man gets caught spying on his 20 something neighbour changing and she smiles and waves at him instead of calling the cops on this perv. Ben bites a child's cookie and the mother isn't weirded out. This movie failed to make me care about a single character, failed to make me laugh a single time, failed to adequately use Jenna Fischer, and failed to leave any kind of impact other than disappointment.

Gregorio Jait Thing is, this is not comedy, definitely not a classic romance story. The message it delivers is a hint of a more deep line. The false reality of things we are teach to want... Sure the story has a couple problems whit internal integrity and coherence, but the characters feel real !! real people... not some cartoon sister craving for the gold or a "hippie" against the system. Its truly remarkable the work the actors did to (at least in my case)make me forget it was a Hollywood movie. And i believe that the same thing i found so amazing is why is underrated. Its really not commercial. Most of todays indie films are gross commercials productions (all comedies sure are), the only thing that changes is the public, a more refined public or a less one. Doesn't matter... Profit does. "Are you here" doesn't try to be more that what it is.. and that is refreshingP.S The physical change of Galifianakis is comparable to that of Christian Bale in "the machinist"

davidaimi I'm a little surprised at all the harsh negative ratings here. I thought this movie was rather charming and absolutely funny and worth the watch. It's not a knee-slapper. It's not Wedding Crashers 2 or The Hangover. It is a little darker at times, but only in the context of how we all experience struggle in life. Owen Wilson assumes his usual character type 40+ year old party man who doesn't take life too seriously. Both Owen Wilson and Zak Galifnakis seem to be going through a similar life struggle of identity. I think the character development was intentionally kept vague so that you were always kept guessing what their characters were running away from. I really enjoyed it. It was a great lesson on life, friendship and growth.

SnoopyStyle Steve Dallas (Owen Wilson) is a local TV weather reporter. He smokes weed with his slacker friend Ben Baker (Zach Galifianakis) who lives in a rundown trailer and has a philosophy of balance with nature. Ben's dad dies and Steve drives him home. Terri Coulter (Amy Poehler) is Ben's bossy sister. Angela (Laura Ramsey) is their hippie stepmother. Terri is given $350k and the rest of the property totaling some $2.5 million to Ben. It puts Ben into a tailspin until he comes up with an idea. Then Terri challenges the Will.The material keeps trying and certainly Zach gives it his all. This is simply not funny. Writer/director Matthew Weiner is famous for some terrific TV work. Most of this falls flat. It's hard to put a finger on a single cause of this. The jokes are not sharp enough. The directions aren't there. There is something off about the chemistry between Owen, Zach and Angela. Owen is playing a ladies man but the movie starts with him being a horrible date. These weed smoking characters are not nearly funny enough. The four main characters just make me scratch my head. Amy Poehler is almost funny a couple of time. Laura Ramsey struggles to stay in the picture with her costars. Owen has a great moment about his friendship and then the movie turns it on his head. Just when this movie seems to climb out of a hole, it digs an even deeper one. With the talents in the picture, this should be so much funnier.