Marva
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Michael A. Martinez
Much noise has been made of the film's weaknesses including the decision to base it around Robert Mitchum as a tired and drunk war correspondent and Peter Falk as his barely coherent partying murderer friend. The historical details begin with some promise but as the film goes on they get glossed over in favor of various Hollywood World War II movie clichés. In my opinion this film stumbles out of the gate on the wrong foot with a tonally off opening credits sequence feature bizarre animated titles and an upbeat love song (when there's no love and barely any females to speak of in the movie!), and it never really recovers.The film just barely delivers on its title and shows us none of the actual battle of Anzio but some of the landings and an inaccurate version of the Battle of Cisterna in which 767 Rangers were surrounded and wiped out. Otherwise, the film is just another dull "trapped behind enemy lines" type movie with a lot of antiwar gum-flapping dialog about the uselessness of war.There is, however, some attractive scenery of the Italian countryside on display and a few quality war scenes at play. Wolfgang Preiss really shines in his brief scenes as Kesselring and one wishes we could have had more of him. Action-wise we're treated to two one-sided massacres; one of American rangers at Cisterna (led by a dubbed Venantino Venantini) followed by the main heroic squad mowing down several clueless Germans in a farmhouse. The only surprises really come during a tense sniper battle which for me was the highlight of the film. This wasn't quite the Dmytryk of the classic era, but he still had some good work left in him.It feels like a major missed opportunity that the film never gives us any major combat with both sides putting up a spirited fight. It may be for that very reason why the nearly-unanimous response among war movie fans to this film over the years has been that of utter disappointment.
ma-cortes
This War movie contains crossfire , thrills , large-scale action , battles , shots of troops , tanks and amphibious landings . This average film never pulls things together enough to rise above continuous images of military marches , tanks , smoke and shootouts . This would-be blockbuster is not a description of such an important event but it is a context in which the battle in Italy offers the concrete development , life and death , a few men in the first days after the Allied landing on the beaches of Anzio . Nothing memorable , nonsense scenes and undistinguished recounting with all-star cast though frankly wasted such as Peter Falk as Cpl. Jack Rabinoff , Earl Holliman as Sgt. Abe , Mark Damon as Wally Richardson , Arthur Kennedy as Maj. Gen. Jack Lesley , Robert Ryan as Gen. Carlson , Reni Santoni as Pvt. Movie and Giancarlo Giannini as Private Cellini , among others . Furthermore , a hackneyed screenplay and full of cliché . Evocative cinematography in Panavision by Giuseppe Rotunno, Federico Fellini's usual cameraman ; location filming for this movie was conducted in and around the environs of Rome, Italy . Atmospheric as well as thrilling musical score by Riz Ortalani , including an enjoyable leitmotif . The motion picture was middlingly directed by Edward Dmytryk and Duilio Coletti .The motion picture was partially based on real events : As Operation Shingle (January 22, 1944) was an Allied amphibious landing in the Italian Campaign against German forces in the area of Anzio, Italy. This operation was aimed at outflanking the German army on the Winter Line and as such allow for an assault on the capital city of Rome . It was one of WWIIs bloodiest battles as the Allies smash through the German lines which have enclosed the Anzio beachhead . The operation was commanded by American Major General John P. Lucas (Arthur Kennedy) and was intended to outflank German forces of the Winter Line and enable an attack on Rome. The resulting combat is commonly called the Battle of Anzio.The success of an amphibious landing at that location, in a basin consisting substantially of reclaimed marshland and surrounded by mountains, depended completely on the element of surprise and the swiftness with which the invaders could move relative to the reaction time of the defenders. Any delay could result in the occupation of the mountains by the defenders and the consequent entrapment of the invaders. Lieutenant General Mark Clark (Robert Ryan as General Carson) , commander of the U.S. Fifth Army, understood that risk, but Clark did not pass on his appreciation of the situation to his subordinate, General Lucas, who preferred to take time to entrench against an expected counterattack. The initial landing achieved complete surprise with no opposition and a jeep patrol even made it as far as the outskirts of Rome. Despite that report, Lucas, who had little confidence in the operation as planned, failed to capitalize on the element of surprise by delaying his advance until he judged his position was sufficiently consolidated and his troops ready. While Lucas consolidated, Field Marshal Albert Kesselring (Wolfgang Preiss) , the German commander in the Italian theatre, moved every spare unit to be found into a ring around the beachhead, where his gunners had a clear view of every Allied position. The Germans also stopped the drainage pumps and flooded the reclaimed marsh with salt water, planning to entrap the Allies and destroy them by epidemic. For weeks a rain of shells fell on the beach, the marsh, the harbour, and on anything else observable from the hills, with little distinction between forward and rear positions. After a month of heavy but inconclusive fighting, Lucas was relieved , sent home and replaced by Major General Lucian Truscott. The Allies finally broke out and turned his forces north-west towards Rome which was captured on 4 June. As four months and 30,000 casualties before the Allies finally march to Rome . As a result, the forces of the German Tenth Army at Cassino were able to withdraw and rejoin the rest of Kesselring's forces north of Rome, regroup, and make a fighting withdrawal to his next major prepared defensive position on the Gothic Line
kikiloveslegwarmers
Anzio is a weird film. Made at the height of the Viet-Nam War, it's clear this Italian film is trying to be anti-war. Robert Mitchuim, who looks like he hadn't slept for a month, and was on a week-long drinking binge, rambles on about the waste of war. He sounds like a drunk at a upscale cocktail party. Yet, the movie also uses the basic Hollywood heroics to attract the viewing public. The sniper shoot-out is done realistically and is somewhat exciting. Aside from that, the film is way to talkative, way too long, and the action in general is dull.The best thing about this movie are the performances of Mark Damon and Reni Santoni as two U.S. Army Rangers. Peter Falk was stereotyped with this type of anti-establishment role in the late 1960s and played the exact same role in Castle Keep. Falk also looks beat, drunk, and bored. Arthur Kennedy and Robert Ryan are totally wasted and it's clear they were hired for their names. Earl Holliman gives a modest performance.
zenmark60
a very accurate film . Rome was an open city . if it were not for the stupidity of the American high command , a lot of lives would have been saved .don't pay attention to the previous idiots' comments about this movie . it is very good .robert Mitchum and peter Falk are above average as is the script . by the way...Americans committed plenty of atrocities in world war two ;i have three words for that -- Dresden ; Hiroshima ; and Nagasaki.one of the points this movie makes is that there are no real winners in a war . as Plato said , " only the dead have seen the end of war . give this movie a shot ;it is better than the mindless jingo-ism of a john Wayne or [ god , help us ! ] a Ronald Regan film . ciao !
