Alicia I love this movie so much

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

bkoganbing Lana Turner and Barry Sullivan are the only Americans in this British production where a name Hollywood star got the top billing to insure a good foreign market. In this case Turner also produced Another Time, Another Place so she dictated the billing in any event.This film also features Sean Connery as a Richard Dimbleby type radio broadcaster in a film set right at the end of World War II. Turner has a fling with Connery who breaks it off and confesses he's got a wife and child back in a village in Cornwall from where he comes. After that Connery killed in a plane crash going to report on the surrender of Kesselring's army in Italy.So the brokenhearted Turner goes to said village and meets up with wife Glynis Johns and son Martin Stephens.Some might find that romantic. Personally I found that whole thing just ghoulish. If Turner had any decency she would have taken the advice of her boss Barry Sullivan and returned to the states. In the end she does. Sullivan has little to do but wait for Turner to come to her senses and finally win her.Not one of Lana's best. Connery is well cast though.

JohnHowardReid NOTES: Locations in the fishing village of Polperro, Cornwall. Interiors filmed at Elstree Studios, London. COMMENT: Out of a dime- store women's novel, Stanley Mann has constructed a screenplay of stupefying boredom, indifferently acted, and directed with suitable dullness. The film's only attractive feature is Jack Hildyard's black- and-white VistaVision photography, particularly of the locations in a small village in Cornwall. For a while there, it looked as if VistaVision was going to pose as a serious rival to CinemaScope, but this didn't happen. The fact that VistaVision (a non-anamorphic process achieved by the simple expedient of running standard 35mm film horizontally – instead of vertically – through the camera) produced a much sharper image failed to impress audiences who were sold on the much wider 'Scope screen.

MartinHafer Super-mega spoiler coming up! Don't say I didn't warn you! While some might have been surprised by a romance between Sean Connery and Lana Turner due to the difference in their ages, I am sure most Brits actually were more surprised by hearing the Scottish Connery saying he was from Cornwall--in the very southeast corner of Britain. The accents are so very different, I could just imagine the Brits watching the film getting a bit peeved--though at the time, most Americans wouldn't have noticed.The film is set in the latter portion of WWII. The first few minutes are great--very tense and I felt myself on edge as a man disarmed an unexploded V-2 rocket! Turner and Connery are there because they are war correspondents and it seems they have fallen deeply in love...or at least Turner has. In their scenes together, you can detect a hint of apprehension in Connery. So, when he later divulges that he is married, the audience isn't terribly surprised--but Turner is crushed. But, after thinking about it, she shows she is also a person without character--and STILL wants to marry Connery (I would have preferred her kicking him in the crotch--but that didn't happen). Then, after he agrees to ask for a divorce, he's unexpectedly killed in a plane crash.Now if you were in Turner's situation, what would you do? Yes, you'd go off to Cornwall to see where Connery lived--and even see his wife and son incognito. This is all a bit creepy and weird--and against her doctor's advice. When she arrives, she is befriended by Connery's widow (Glynnis Johns)--a nice lady who you can't help but like. However, as Turner has some weird sort of Hollywood ailment following Connery's death, she wanders outside of Johns' home later and faints! She clearly isn't do well and so she is invited to stay with Johns for several days. Talk about awkward! When Turner's boss and ex-boyfriend (Barry Sullivan) learns where she is and what she's doing, he's upset and rushes to Cornwall to retrieve her. After all, he reasons that sooner or later the wife is going to learn the truth if Turner stays much longer. Oddly, however, Connery's old assistant (Terence Longdon--who wants Turner to leave ASAP) turns out to be the one who convinces Johns that perhaps Connery was cheating on her. That's because whenever she mentions her dead husband, the assistant looks away and changes the subject--and she suspects something was amiss. What will come of all this? See the film.While it's hard to believe the plot, hard to like Turner (she is so selfish and a bit goofy) and the music a bit overdone, the film is an interesting soap opera. And, it ended very well. In other words, I enjoyed it even though I know it was a rather flawed film. In fact, Turner made quite a few flawed soaps during this era--and yet they were mostly very enjoyable.

robertconnor Whilst on assignment in a very 1950s-looking WW2 London, a plastic-haired US ace-journo' (Turner) and an impossibly baby-faced Cornish ace-journo' (Connery) are lost in the throws of a torrid affair, despite the disapproval of colleagues (stiff-upper-lip Longdon, laconic James). However, even as declarations of undying love are uttered, dark clouds loom in the form of Turner's newspaper boss and erstwhile lover Sullivan, and Connery's shock disclosure that he has a wife and child tucked away in his native Cornish village. When Connery is killed in a plane crash, a devastated Turner makes a pilgrimage to his native Cornwall where her path crosses that of his wife and child...Risible weepy, serving as a star vehicle for Lana and an early showcase for the handsome young Connery, both of whom fail miserably to convince. Turner seems to possess only three facial expressions, even when trying to stay upright in her stilettos as she totters round 'St. Giles' (actually Polperro) - witness her horribly 2-D efforts to comfort Martin Stephens after his nightmare. Meanwhile Connery's description of his Cornish fishing village birthplace is delivered in such a rich Edinburgh brogue as to be quite giggle-some.So often the case with British cinema of the 40s and 50s, it's the support players who steal the show - Glynis Johns' is a beautifully judged and modulated depiction of a woman recovering from grief. Her resolute kindness, generosity and warmth make her reaction to the final reel revelations all the more believable. Sid James shines as a world-weary American journalist trying to juggle loyalties, and Stephens' post-nightmare scene is desperately convincing.Sadly however, excellent support playing, and beautiful location shooting are just not enough to save this overwrought turkey.