Exoticalot People are voting emotionally.

ScoobyWell Great visuals, story delivers no surprises

Spidersecu Don't Believe the Hype

Rexanne It’s sentimental, ridiculously long and only occasionally funny

elvircorhodzic ANGELS WITH DIRTY FACES is a film that has the original socio - critical message. The script and story are very allowed. Curtiz is in the heart of the story, but between two fires, put a rag-tag group of young. Interestingly, such a state viewed from the perspective of young boys. Criminals are always a role model. The time and place do not matter. Perception is dictated by socio - economic aspects of society.In this film, the main character is not only criminal but also the anti-hero. He was polished, charming, charismatic, accomplished, and of course rich. Rocky Sullivan played by James Cagney, is a portrait of the life times of such 'Angels with Dirty Faces "as the title of the film says. Rocky is not a bad person.This is a gangster movie, fast action and great culmination. The story is a complete and well rounded. The friendship of the two protagonists of this film is very strongly played. Cagney and O'Brien (Fr. Jerry Connolly) are excellent in their roles. Perhaps it is the strongest, which comes as the icing on the cake after a whole and dismissed the scenario, just what constitutes the epilogue of the story about two friends. The relationship of good and evil set through the prism of truth and falsehood. Friends are separated at an early age, others are bound heart and soul, and yet each had their fight. I wonder what would have happened if the roles were replaced at the beginning of the film? In the eyes of the world you can be anything. In the eyes of friends only one. The film is a dramatic and action equally good. Acting with visible improvisation, is at a high level. Bogart, Sheridan and Bancroft are not especially imposed.

mmallon4 One of the things I love most about Angels with Dirty Faces is that proposes the age old idea of a person's entire destiny being defined by one single event. The fact that Jerry (Pat O'Brien) could run faster than his childhood friend Rocky (James Cagney) while being chased by the police for a petty crime would determine the paths they would take in life. If only Rocky could climb over that fence, things would have been so much different.I'm a huge fan of the Warner Bros gangster movies of the 1930's and Angels with Dirty Faces is probably the most classic of these movies In that it gets referenced and spoofed most in popular culture. These films deal with social issues, many of which are still relevant today. When I hear current news stories about crime and social issues, I often find myself thinking "They dealt with that in an old 30's crime/gangster film". Angels with Dirty Faces is no exception. Rocky Sullivan was never truly a criminal but his stay at a reformatory for his petty crime turned him into one. However Pat O'Brien's role of Father Jerry Connolly presents an incredibly stark contrast with today's common place media reports of priests molesting boys. I find it fascinating to see a movie in which a member of clergy is presented as someone who is treated with the utmost respect and entirely trustworthy, of course this being an attempt to appease the Legion of Decency.Even with the religious overtones, the movie still provides one of the most intriguing moral dilemmas ever presented in a movie; Rocky making the ultimate sacrifice. Before his execution Father Connolly asks him to pretend going yellow and show people he was a coward by begging for mercy before being sent to the chair. The only thing Rocky has left is his reputation and he is being asked to throw that away so kids won't look up to him and his lifestyle. Rocky does just this at the last moment, a complete rejection of the gangster way of life.While nothing can top the pure electricity that is Cagey in White Heat, Angels With Dirty Faces gets my spot as the next most interesting performance in his career. The Dead End Kids give Cagney an element to his performance few other actors would rarely get the chance to express, likewise his real life friendship with Pat O'Brien is easily apparent on screen with their interactions. Humphrey Bogart also appears in a pre stardom supporting role. Despite only appearing in several scenes he nearly succeeds in upstages Cagney with his enigmatic screen presence. Plus that kid playing a young Cagney at the beginning of the film is very eerily like him.Socially conscience pictures such as this which came from Warner Bros really give an insight into the lives of common folk of the time. A moment which always stuck out to me in Angels With Dirty Faces is the basketball game because it's the only classic era film which comes to mind which features a basketball game thus showing an activity from the 1930's which is still popular today. Likewise the movie also acts as a historical document for the lingo among inner city youths of the time. The performances given by The Dead End Kids feels like an early example of method acting; no surprise when watching this that it was once referred to as Italian street acting.Michael Curtiz is undoubtedly one of the greatest craftsmen of Hollywood's golden age (after all, in this same year he directed one of the most perfect things ever created, The Adventures of Robin Hood). The movie immediately flaunts it's very handsome production values right from the opening shot. The execution finale of Angels with Dirty Faces alone is a masterpiece of cinematography with its prominent use of shadows, bright lighting and titled camera angles. Here Curtiz creates a criminal underworld which is hard not to get sucked into. We might not want to emulate gangsters but we can't help but be fascinated by them.

chaos-rampant The story here is that Cagney is the gangster 'star' of the East Side, with a group of young hoodlums looking up to him, the same as movie-going kids who'd come to see the film. His priest friend from the old days wants him to help him put the kids on the right track. We know that he's basically a stand-up guy, a good soul, partly corrupted by the 'system'. In the end he agrees to die 'yellow', tarnishing his reputation so the kids will renounce gangster heroism.That's it in a nutshell. It isn't a bad movie, it's just that the study is so screamingly obvious, full of catechism aimed at us and reducing us to childlike goofs who know no better. It's nice enough at the start, the East Side world it portrays is thick. But it becomes such a thin message movie in the second half. Just not worth the time.Cagney though is magnetic as usual, a terrific guy. He could sing, tap dance, seduce; later on he was a judo blackbelt. Watch him slap Bogart around, here playing the mousey lawyer villain. It's clear there's no comparing them. Cagney was the real deal and this is all about his presence. How on earth did they think they could pull off that message with Cagney?

tnrcooper I imagine this was a ground-breaking film in 1938. It features some morally complex characters - Cagney as bad guy Rocky Sullivan who tries to get out of his life of crime and Laury Ferguson (Ann Sheridan) as a social worker whose feelings about Rocky soften over time. The fact that there is some ambiguity seems to me the progression of film becoming a means of showing moral complexity, a big shift from cinema's early days when the "nickelodeons" were forums for light entertainment.In any case in the film, Rocky and his friend Jerry (Pat O'Brien and William Tracy as a boy) grow up as toughs but Jerry changes his ways while Rocky goes to the penitentiary. When he gets out, he goes straight for a while but old ties drag him back in, courtesy of corrupt lawyer (Humphrey Bogart). The question is whether Rocky is really selfish or whether he cares about some of the rough street kids over whom he has developed a great influence because of his reputation.The script and story are great and the acting is great from all the primaries. Really well worth a look.