American Strays

1996 "Love 'em or Kill 'em."
5.2| 1h37m| NA| en| More Info
Released: 12 September 1996 Released
Producted By: Harmony Gold
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Budget: 0
Revenue: 0
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The desert can be a lonely place for the people who live there or for those who are traveling through. It is also the teller of different stories including the story of a traveling salesman whose only commodity is death and the story of a young man who finds that the death that he wishes for is difficult to find. Others are just traveling through, on their way to another place when they stop to eat at Red's Desert Oasis. The food may not be great, and the waitress may be surly, but those who stopped at Red's will find that they are involved in the showdown of their life.

Genre

Action, Comedy

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Director

Michael Covert

Production Companies

Harmony Gold

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American Strays Audience Reviews

Matrixston Wow! Such a good movie.
UnowPriceless hyped garbage
Lumsdal Good , But It Is Overrated By Some
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
Jeffrey Johnson This movie is basically a satire of the American west and the crazy people who live there - here in my case.Contrary to some other reviewers - the script of this movie is a work of art - the acting nothing short of total excellence.It's the kind of movie that deserves an academy award - much like Mullholland Drive did - but the academy seldom gives awards too truly brilliant movies.I'm not writing this review to explain the plot - but just too put some words down on paper stating how really good this movie is.Perhaps if anything the movie - the script - the acting - is all too beautiful - too intelligent and too brilliant - because apparently some people - some reviewers - lack a soul or have an empty one and simply can not see outwardly what does not exist within.The mesmerizing acting of Jennifer Tilly is worth the price of admission in itself - but all the acting in this movie goes beyond just good.
insightstraight Finally got down to "American Strays" in the to-be-watched stack. And I feel as though it should have occupied more space in the stack, because it strikes me as actually being 3 films rather than one.Before proceeding, I will say that I was impressed by the cinematography/lighting throughout the work. Occasionally self-conscious, but overall creative and effective. The director has a good feel for the relation of camera to subject.I can also see how the director was able to draw together such a diverse and impressive cast. Each role held some attraction for actors who care more about acting than about money. Eric Roberts is especially noteworthy playing against type.However, the production itself is schizophrenic, with the ultimate result of distracting one from the finely done details.***SPOILERS AHEAD***"American Strays" is 3 perfectly decent short films forced together to make a feature-length film. The only relational concept is the theme of guns empowering violence (and feelings of empowerment).Film 1 involves the travelling vacuum cleaner salesman, Film 2 is the suicidal youth who hires someone to help kill him, and Film 3 is the many-threads-converging-to-a-finale. Films 1 and 2 share only the desert setting with Film 3; neither is otherwise related to the other two.If Film 1 were filtered out of the rest it would make a charming little oddball 20-30 min. film. (I would encourage the shorter length -- some of the scenes felt stretched and some trimming would add punch.)Film 2 I personally found meaningless/pointless. But it would have much cleaner effect if it stood alone.And Film 3 -- if Film 3 were trimmed a bit and played a bit broader, it would be a brilliant memorable satire which answers the question: "What would happen if you brought the genres of Pulp Fiction, gangstas, Natural Born Killers, Reservoir Dogs and average-man-pushed-too-far together?" The sort of film you share with your film-loving friends, so you can congratulate yourselves and each other for recognizing all the references.As fond as I am of Frankenstein, I still cannot wholeheartedly recommend this assemblage of parts. The sutures show too strongly.The director is obviously thoughtful and talented; the cinematography/lighting, set dressing, and characterizations are all quite effective.But I feel each of these films deserved to be seen separately and judged upon their own merits, rather than being forced to share the screen.
stefan-144 One of the characters in the movie points out the violence present in the Star Spangled Banner, claiming that it has fostered Americans to a life of violence. He says that it would have been much better if America the Beautiful would have been the US anthem.Indeed, the lyrics of the song are filled of war rhetoric. Actually, the French equivalent, La Marseillaise, is just as brutal - at least. I guess that it goes for a number of anthems, since they often emerged from a nationalist crescendo, which is usually related to a war of some sort. All in all, nations as such have a history of war, closely linked to their formation. Hey, that's pretty true about civilization. It's a mystery how this species has survived.Anyway, in American Strays, we follow a few fragments of human lives, and how they connect, purely by chance, leading to a grand finale in the spirit of said anthems. It's a sinister perspective on Americans, but also partly a beautiful one. Yes, there is beauty in the midst of gun smoke and brutality - fragile beauty, but isn't that the very nature of beauty? When strong, it loses its shine.The film is refined in how it follows some human fates, at the point of their catharsis, and does so without judging, without staying at stereotypes. It is satire, certainly, but done with a heart and with intelligence - and curiosity, too. The characters have several dimensions, far from being simple caricatures, and what happens to them is foreseeable, but still not the most obvious way out.Yes, I'm impressed by this little study of human nature. Although the persons depicted are odd creatures, in rare circumstances, something general is being stated about man, about society, about the very torment for each of us in trying to find fulfillment. And that's the same, whatever the nation or its anthem.
helfeleather He's a really nasty piece of work. This is His first encounter with Luke Perry's character, johnny, who is trying unsuccessfully to commit suicide, and answers a newspaper ad for the Exterminator.Exterminator: The world is small, but God is great, to reunite Me with My little buddy from schooldays past.johnny! Oh, you always hated to be called johnny, didn't you?Well, johnny, what's the trouble? you've run into a bit of bad luck? And you need your old friend to help you out? I would just be tickled f***in' pink to help you out, johnny. And I'm gonna do it for nothin, My old friend.[The Exterminator delivers several hard left punches to johnny's face.]Just like old times, huh, johhny? I told ya.[The Exterminator keeps punching. johnny's lip is bleeding. The Exterminator punches with more relish now. He is literally drooling with pleasure.]I told ya. I told ya I'd fix everything.