Linbeymusol Wonderful character development!

SunnyHello Nice effects though.

MoPoshy Absolutely brilliant

Freeman This film is so real. It treats its characters with so much care and sensitivity.

dcarsonhagy I knew times had changed. After all, I am a little "long-in-the- tooth," but I had no idea we (as a society) have sunk to this level."American Backwoods" proves that anyone can get anything on the film screen. If you've seen any advertisements for this gigantic turd, you already know what the premise is supposed to be. I'm not even going to try and explain it. All I can say is if your idea of a good time is watching men get sodomized (anally and orally), pregnant women shot in the stomach then getting their entrails eaten, male genital chomping, and watching a man who couldn't act his way out of a wet paper bag get my "Dumb Looks and Blank Stares Award", then I'm sure you'll have an orgasm after viewing this vile POS. And parents, this is a WARNING for you: Do not allow ANYONE under the age of 18 to view this. It is absolutely one of the most vile movies I have ever seen. What I described above only scratches the surface. NR for male rape, nudity, and graphic violence.

blackestrose13 A night of partying turns weird for a group of friends after an car accident and the arrival of supposed cops in a station wagon. Murderous hunters collide with a cannibalistic tribe, as the kidnapped party goers must struggle for survival.The film carries and eerie, trippy vibe, mixed with a gritty film style. The result is a terrifying atmosphere, with a constant feeling of dread. It has a pretty standard lost-in-the-woods, kidnapped-by-hillbillies kind of set up until the tribe and the creature are thrown into the mix, then things start to get really interesting. A disgusting blend of gore and rape make for a horrific film that make something like 'Deliverance' look like a a nice vacation in the woods. The addition of comedic relief make the film a whole lot of gratuitous fun for gore fans.Dayo Okeniyi is excellent as mature one of the group, Bro. I always enjoy seeing the director's play horrible characters, particularly in horror. Director/writer Flood Reed shows off his multi-talent abilities as hillbilly Bags. If you love over the top violence and gore, you won't want to miss 'American Backwoods: Slew Hampshire'.

Bob Ferreira I'm just going to come out and say this right now, no hyperbole – American Backwoods: Slew Hampshire is the kind of indie horror movie every filmmaker should aspire to make. It is such a well put together production, with a great story, incredible acting, and some extremely brutal practical gore effects, you'll almost forget that you're watching an indie, but without getting the feeling of watching a glossed-over Hollywood schlock-fest, either.The dialog in the film comes across very naturally, and I think that is a good mix of both the very creative, very well-written story, and the superb acting. The film itself starts out almost as a comedy with some hilarious one-liners, but delves quickly into very dark and straight-up horror, featuring some extremely grisly, practical special FX. Stand-out performances by all of the cast, most of whom have no major titles under their belts, and especially true of Dayo Okeniyi, who plays one of the lead characters, Bro, and is an excellent actor. Since the movie was shot, Okeniyi has gone on to several major films, including a part in Runner Runner with Ben Affleck, and the upcoming Terminator: Genisys with Arnold Schwarzenegger. Also, I have to mention a fantastic performance by relative newcomer Tyler Rice as Dude-Guy, who was extremely funny throughout. The entire cast, though, deserves applause, as they were all fantastic. Flood Reed has said that this is his love letter to the state of New Hampshire, and as someone who spent most of my life there and is a born-and-raised New Englander, I can honestly say that I don't think there would be a better way to sign a love letter to the Granite State than with a slew of blood, gore, and even some great laughs.

savcam500 I often wonder where these earnest, "rave reviews" by "raving reviewers" come from. They often appear right before or immediately after the release of a (typically low budget, usually horror) film, from accounts created (suspiciously) around the same time as the film's release. The posters review this one film, and this one film only, and then they promptly vanish into the æther forever....Speaking of this film, it's mediocrity manifest (though not without some small measure of inspiration and merit behind it). No matter what the other "reviewers" claim, Slew Hampshire hardly breathes new life into the "People Stuck in the Woods, Horror Ensues, Commonsense Ignored" genre. It treads a well worn path; starting with a (not altogether successful) comedic tone and descends into horror. It attempts an oddly philosophic tack which I'll admit is rather interesting, but ultimately for naught. As horror films are wont to do, it tackles the darker aspects of man (rape, race, wanton violence and gruesome killings), but the film is scattered and unfocused, touching on a half-dozen genres (which I have no problem with so long as it serves the greater purposes and needs of the story while remaining entertaining; I needn't have my hand held through a film and I can certainly admire the ambition): Comedy, Road Trip, Hillbilly Horror, Gruesome Torture, Creature Feature, Exploitation.... The effects and gore were passable, though hardly does that a movie make. The cinematography was... experimental in an earnest, art-school-sort-of-way, but the filters, effects and framing were more a distraction than an aid. The acting, direction and story are at times awkward and hackneyed. The story? Well, you probably already know the story, though it does offer a few "twists". It was written, directed, filmed, cast, and acted in by apparent hydra Flood Reed (who also went to the trouble to write a very enticing Summary of the film here on IMDb.com, as well a song on the soundtrack). Think: Joe Swanberg, but with some actual talent, vision and drive. Even in this rather disappointing film they are evident and I'll be keeping an eye on Reed as he hones his skills and develops his craft.