Alpine Climbers

1936
7.2| 0h10m| NR| en| More Info
Released: 25 July 1936 Released
Producted By: Walt Disney Productions
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Budget: 0
Revenue: 0
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Donald, Mickey, and Pluto climb the Alps. While up top, Donald has a run-in with a mountain goat over some edelweiss, Mickey has a row with an eagle over its eggs; one of them hatches, and gives Pluto some trouble (as does the grog a Saint Bernard gives him when he falls into a snowbank).

Genre

Animation

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Director

David Hand

Production Companies

Walt Disney Productions

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Alpine Climbers Audience Reviews

Karry Best movie of this year hands down!
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Kinley This movie feels like it was made purely to piss off people who want good shows
Horst in Translation ([email protected]) "Alpine Climbers" is a movie from before World War II that has its 80th anniversary this year. It is a Walt Disney cartoon that runs slightly under 10 minutes and features Donald, Micky and Pluto on a tour in the mountains. Unluckily for them, and lucky for us, the run into all kinds of different animals and complete chaos ensues quickly. The one downside here is that our trio does not have as much screen time together as I hoped they would. But this does only momentarily take away from the fun. Lots of hilarity in here and at the end we even have two drunk dogs and hands down, the animation is absolutely outstanding for its time. Many filmmakers from the 1960s and 1970s could only have dreamed of that level. I certainly recommend the watch.
OllieSuave-007 This is one of the funnier cartoons from Disney, featuring Mickey, Donald and Pluto. They go mountain climbing in the Swiss Alps and find themselves dealing with a batch of misadventures: Mickey attempts to himself with some eagle eggs but meets up with an angry mother eagle instead; Donald has run-ins with a baby goat and his adult parent; and Pluto gets some buzzed fun with a St. Bernard.Donald gets edelweiss eaten by a mischievous little goat, but Mickey got his fair share of bad luck when a mother eagle and her just-batch eaglets storm around him. Pluto also gets plastered after a St. Bernard nurses him after his run-in with an annoying baby eagle. It's all tastefully done comedy that I've found myself laughing out loud a few times. Mickey and Donald belching out Swiss tunes at the beginning of the short was hilarious.My favorite scene is when Donald gets a rare last laugh of his own, when he gives a ramming goat a taste of his own medicine. Love this cartoon - one of the better ones! Grade A
soymilk A very enjoyable, if slightly raucous early short from Walt, 'Alpine Climbers' follows our boys Mickey Mouse, Donald Duck and Pluto the dog as they journey through the Alps and endure a series of misadventures with the local fauna, including a mother eagle, two mountain goats and a rescue St. Bernard. I have some pretty distinct memories of watching it several times over in my childhood, and have always adored it, if only for the scenes between Pluto and the aforementioned St. Bernard who, in a drunken state, he falls completely in love with (and whose gender, incidentally, is never specified, though I guess it isn't too important!) I just can't resist the moment where he gets triple vision and erroneously believes that the bewildered rescue aid dog is returning his suggestive gestures – well face it, no one does mute comedy quite as Pluto does. And the St. Bernard's character design is a pleasure.Overall though, Pluto's story makes up only a very small aspect of 'Alpine Climbers', and to be perfectly honest the rest is pretty much take or leave. It's certainly entertaining, and works neatly as a showcase of all three characters' defining dispositions – Mickey as the mellow straight man, Donald as the temperamental angry man, and Pluto as the naïve sweetie (he's just so darn cute!). At the same time, it's interesting to watch from a retrospective point of view just to see the more old school character designs. Still, though the skits involving Mickey and Donald are amusing enough in their own right, really there's just too much of the generic slapstick and calamity you can find in any number of these cartoon shorts, which does give it a somewhat undistinguished tone. That said, it's always delightful to see Donald fly by using his tail feathers as a propeller – that's inspired genius, plan and simple!In my eyes, 'Alpine Climbers' is definitely deserving of its classic status, though it's mostly thanks to the input of Pluto and that gorgeous St. Bernard – a subplot which is just brimming with cuteness and charm. In between, there are some pretty noteworthy lessons to be picked up on about interfering with the local ecosystems of wherever you may go (again, you should never attempt to steal eagle eggs from their nests – really, I'd expect Mickey Mouse to know better than that!) Grade: A-
Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.ALPINE CLIMBERS Mickey & Donald get themselves into trouble by picking edelweiss & swiping eagle's eggs.This is a very funny little film, which provides fine scope for Donald to vent his famous temper. Incongruously, Pluto is also brought along, but has a humorous inebriated scene with a friendly St. Bernard. Mickey has some good moments, but plays definite second fiddle to Donald. They are voiced by Walt Disney & Clarence Nash, respectively.The snowy-white edelweiss, which cheers Donald's heart, is a woolly-leafed herb (Leontopodium alpinum) which grows in the higher regions of Europe & Asia. It is much beloved by the peoples of the Alps and is the floral emblem of Switzerland. During World War Two, it served as the secret symbol of the Austrian Underground which fought against the Nazis.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.

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