Plantiana Yawn. Poorly Filmed Snooze Fest.

Ensofter Overrated and overhyped

Lucybespro It is a performances centric movie

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

shakercoola This odd, stylish, Swiss film is nothing if not original. Intrigue is controlled well enough that the story flows amidst strange characterisations and dry precision. It progresses as if toward magic realism but in the end the viewer is rewarded with a satisfyingly imaginative drama.

JvH48 Seen at the IMAGINE film festival 2017 in Amsterdam. Despite technically nothing wrong with this movie, I fail to find anything remarkable in it, no logical dramatic development, and no plot whatsoever. I assume that the film makers were so obsessed with the basic concept of mixing fantasy and reality, that they forgot to add a comprehensible and edible story. The "help" given to Aloys for breaking out of his loneliness, went past me and I cannot imagine it offering any escape nor a solid path to achieve that goal.All in all a pity, as the first half hour is mysteriously promising. After that, the jumps between reality, fantasy and the mix between what could be true and what seems fantasy, make you soon lose interest, particularly as it has no clear effect on the psychology of main characters and their future life. I don't think Aloys will improve his quality of living, and the life and motivation of the woman is unclear to such a degree that I cannot tell what her future looks like either.

Rendanlovell Honestly, I don't know how I stumbled across this film. I was just minding my own business, looking for a movie to watch and so I checked my 2016 watchlist. When I checked it a film called 'Aloys' was starring back at me. So I told myself that if I could find it, I would watch this little film. A little film that I couldn't even remember wanting to see. But find it, I did. The best way to really describe this film is that it's a hybrid between 'Her' and something like 'Synecdoche New York'. Simply put, this is a romance of sorts that has a lot of visual metaphors. It's a kind of bizarro little film that feels like a bunch of friends put together just because they could.Mainly the film is about a private investigator who recently lost the one person he was close to, his father. The film picks up shortly after the funeral for his dad. As the films goes along we see that this man is stuck in a deep rut. He's completely isolated from the world and does nothing but secretly tape people and then re-watch it over and over. That is, until he gets his camera robbed.From then the robber begins calling him and telling him that he needs to get out of his shell if he wants his stuff back. The woman and him form a relationship over the phone and fall for each other. They do this by simultaneously imagining themselves with each other doing mundane tasks. Eating food together, talking at a table, playing the piano etc. Of course both of them are just sitting in their own rooms picturing it.The film does a great job showing that these people can have a genuine connection. Both helping each other break out of their own shells. While both of these characters are horribly depressed the film manages to be incredibly fun to watch at points. There's a wonderful scene where they throw a party at Aloys (private investigator man) house. Where all the people Aloys has come into contact with during the movie are dancing and having a good time.This is what really surprised me about this film. Where 'Her' Focuses on relationships this film focuses more on people in relationships. And It has a great grasp on its characters. They are both sad, lonely people but they both have distinct voices. We understand them and their struggle. Which just makes us want to see them connect more. For me, 'Her' is a far superior film but 'Aloys' has quite a few surprises up its sleeve for anyone willing to give it a chance. It talks a lot about relationship expectations vs reality without becoming sappy or unbelievable. We see these two picture themselves in a perfect, bright, colorful, happy relationship when they haven't even met each other. And its this realization that hits you time and time again throughout these sequences.And every time it does you just feel a little worse. There was numerous times when I was just yelling, "TAKE HER OUT FOR REAL!" to myself. While this is a film that I do like, it isn't perfect. As it marches to the finish it starts to feel a bit full of itself. There are times when we jump around between reality and numerous different fantasies and I was left wondering, why? I wanted an explanation for all of it that never came. It felt like the film didn't really know where to go near the end. So, it just threw in various dream like sequences that didn't fit with what was happening. That being said, the last shot of the film almost completely redeems it. It's the basic, so close but so far. And it works so amazingly well for this movie. Overall, I really liked this movie. It's genuinely well constructed and written. But what makes this film work, is the characters. You actually know and like these two people. They share a bond that feels real. Even outside of the main romance, this film feels like a movie made by someone who's been in the business for a while. It's breathtaking in it's style, framing, and blocking of shots. If the end was tightened up this could've been one of my favorite films of the year. As it is, this is still a great movie that I quite enjoyed.

gavin6942 A lonely private investigator (Georg Friedrich) is contacted by a mysterious woman (Tilde von Overbeck) who pulls him into a mind game known as 'telephone walking'. Fascinated by her voice, Aloys discovers an imaginary universe that allows him to break out of his isolation.Although Aloys is a private investigator and is expected to be listening and watching at all times, we know something is off from the very first scene: he is intently watching (and filming) his own deceased father. But then again, everyone grieves in their own special way.This is writer-director Tobias Nölle's first feature, following his segment in the anthology film "Wonderland", and he has really created his own little universe with this one. The set design is appropriately gloomy to reflect Aloys' sullen emotions, with the only bright colors (ironically) being in the crematorium, where we watch his father's casket get unceremoniously dumped into the flames.We are introduced to the concept of "telephone walking", an idea that was allegedly developed in Japan around 1984 by an unnamed neurologist. Is this concept real? For the sake of the film, that doesn't matter. The methods involved allow lonely folks such as Aloys to envision a passing train, or a wildly flamboyant electric organ disco party. (Yes, the latter happens, and it's the highlight of the otherwise depressing film.)More interesting than the "telephone walking", perhaps, is how quickly Aloys and his mysterious caller find themselves in a game of cat and mouse, and she clearly has the upper hand. Writer-director Nölle has said, "We live in times where everybody wants to be seen, everybody takes pictures of themselves, everybody creates a second, more brilliant self on the web. I was interested in a man who is invisible, a private eye, who sees everything through his camera, but nobody sees him. Until the day a stranger turns the camera on him."How life is in Switzerland, I have no idea. But the theme of surveillance is very topical in the United States, where recent headlines about NSA snooping are still fresh concerns in the minds of many. Aloys is interesting in that he represents the hidden surveillance being unmasked. But his work raises another question: what has become of the private eye in a world where everybody is surveilling themselves? If he (or the NSA) wants to know someone's innermost thoughts, they only have to log onto Facebook and scroll through hundreds or thousands of photos uploaded daily. People like to ask before going in to the theater, "What is the movie like?" This film does not compare easily to anything else, which is high praise for the script. Critic Boyd van Hoeij notes, "Aloys, with his old-fashioned equipment, loner attitude and obsessive edges, recalls Gene Hackman's surveillance expert in Coppola's masterpiece, 'The Conversation'." That's a fair touchpoint, especially considering how often Aloys rewinds and replays his tapes. But the similarities are only superficial. There really is nothing else out there quite like "Aloys".One fumbles to even describe the picture. It is simultaneously beautiful and depressing, uplifting and lonely, hopeful and barren. Aloys lives in a world that few would want to be in; even he would rather be somewhere else. But at least everything looks good while being swallowed into the void. Even a brief shot of an ambulance seen through a window is gloriously perfect."Aloys" premieres July 21, 2016 at the Fantasia Film Festival. While certainly not the fell-good movie of the year, it is definitely one of the best-looking, and may find its way on to a few Top Ten lists.