Aftershock

1990 "In the future, the only law is force and the only hope comes from beyond the stars"
4.2| 1h31m| R| en| More Info
Released: 05 October 1990 Released
Producted By: Spectrum Entertainment
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

An alien visits Earth during World War III, learns English by absorbing a dictionary, and meets good and bad earthlings.

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Director

Frank Harris

Production Companies

Spectrum Entertainment

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Aftershock Audience Reviews

FeistyUpper If you don't like this, we can't be friends.
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
Sameeha Pugh It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film
Cheryl A clunky actioner with a handful of cool moments.
JamieWJackson This is a ridiculous movie. Thankfully, it doesn't take itself too seriously -- or, if it does, it does it so absurdly that it's impossible to tell the difference. Most of the action is just silly, the plot is convoluted, the characters preposterous... what is there to like about this movie?Well... intentionally or not, it made me smile a lot. I liked the gorgeous Elizabeth Kaitan, regardless of how bland her character was. I liked the always-rowdy Matthias Hues, even though his character's death was shockingly cheap. I liked John Saxon, who is his usual menacing self here. And I really liked laughing at all the silliness and B-movie mistakes. Throw in some Richard Lynch and Michael Berryman and you're bound to have a few good moments along the way.Take this for what it is; sit back, relax, and laugh at/with it. You won't learn much, but if you like post-apoc B-movies, you should enjoy this one.
Henry Spencer "Big Sister" is watching you! America after World War III. Apocalyptic times. The power on earth is in the hands of a faceless "Central Control". By means of their martialist troops, the "Security Control", the liberation efforts of a bold group of resistance fighters are brutally suppressed. A female humanoid alien with a message of peace arrives on earth, but ends up in the clutches of the "Security Control". But the alien is freed by the rebels. After endless struggles between the "Security Control" and the rebels, the women from space can finally journey back to her planet. Director Frank Harris, a former reporter for a television station in California, is producing amateurish action movies for the international video market since the early 80's. Usually he writes his own scripts and he often is his own DoP. He shot his first film KILL POINT in 1984, starring Leo Fong, Richard Roundtree and Cameron Mitchell. In AFTERSHOCK there are Chris Mitchum, Russ Tamblyn and John Saxon at hand, three veritable actors in low budget movies, but their presence can only make the movie interesting for some brief moments. Like so many cheap post-nuke movies, AFTERSHOCK was shot in the shadows of industrial ruins, here namely the "Kaiser Steel Plant" and the "Fontana Domtar Gypsum Paper Mill", but the aimed apocalyptic feeling never sets in. The typical ruins remain just what they are: the ordinary remnants of former industrial complexes. Obeying the stereotype of such movies (and also due to the thin checkbook of the producer) Harris added endless scenes of shootings and brawls to the completely ridiculous "story", but because of the stinginess of the producer these scenes are only look cheap. While the aforementioned performers had to be content with smaller roles (or were too expensive for leading parts), incompetent no-name actors have to stutter lots of dimwitted dialog and bore the viewer with their bland faces. By the way, more than 90 actors are listed by name in the end credits! All in all, AFTERSHOCK is a film of little entertainment value. Despite intensive research, the name of the DoP of the film who is not given credit could not be traced.
reaverpryde The acting is awful, the script is atrocious, and the premise is ridiculous. It's also some of the most fun I've ever had watching a movie.For one, nothing in this movie seems to take itself seriously. It's jam packed with so many terrible action movie clichés that it wouldn't surprise me at all if the director had made it as a parody. Watch this one with a couple of witty friends and you'll have a blast giving it an MST 3k treatment. The jokes at the movie's expense are really obvious.Second, as bad as this movie is, there are a few things it does pretty well. For example, the token minority sidekick (Jeffreys) who speaks with a pronounced lisp and delivers his lines like a jive-talking' robot nonetheless has some impressive athletic skills. As a consequence this movie does boast some pretty cool fight scenes. The special effects are often over the top and goofy just like it should be in an early-90s action movie.If you're bored on a weeknight and need a laugh, I'd highly suggest picking this one up. I got it in a bargain basket at a local DVD store for $3.
Mike_Danton You'd think with actors like Christopher Mitchum, Richard Lynch, and Michael Berryman in the film the director would actually use them. I should know better! It's a crappy B-movie, duh!This movie, as all B-movies, has a convoluted plot, but this one has a twist. (Wait they all do...) It's a tragic post-apocalyptic story with an alien/dumb-blonde that comes to learn how our peaceful planet works the way it does. (It's post-apocalyptic, it's not peaceful!)Along the way there's a hint of buddy movie with Jay Roberts Jr. and Chuck Jeffreys as Willie and Danny. Jeffreys I think is going for Eddie Murphy but comes up way short.Then there's some bounty hunter who has a difficulties with his job. "Maybe I'm getting soft," he says. (He carries a six-shooter that shoots 8 bullets. Hmmm...)Throw in Michael Berryman as Queen, the cross-dressing mutant, and Matthias Hues as his Conan-esque sidekick and you've made for one messed up movie.Superb! A tough viewing even for those that enjoy B-movies. That's what makes them so great!