Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Chris Knipp Another relentless study by Kitano of an artist with no talent who refuses to give up, this goes on far too long and bludgeons the viewer with its relentless picture of a helpless sycophant trying to become a success by imitating his betters or copying trends that have just gone out of style. There is a disconnect between the early passages of the artist as a boy, which are fable-like, haunting, and touching (but also droll and odd) and the segments of the artist as an adult and "old" man (when Kitano himself takes over), the latter being simply a series of conceptual put-ons. Throughout the film is hurt by its suggestion that art of limited merit has no merit at all; that a child artist wouldn't produce anything of interest. And its later scenes are increasingly brutal and macabre. Another example of Kitano's limits as an "auteur." His work is distinctive and persistent, but there is a coldness, even a cluelessness, about it that is unappealing. The Allociné critic rating of 3.0/70 is full of raves, showing Kitano's strong "auteur" status among the French. Seen in Paris in April 2010.

paul david I like different films especially from Japan and this fits the category, interesting from beginning to end, a sad film in my opinion but with lots of messages for art lovers if you look that deep into the story, a bit like Rembrandts 'Nightwatching'.Didn't quite get the ending but it didn't seem to matter. Gosh to have a wife like he had, so patient and supportive all his life but sad for the daughter who had to endure so much also all her life.The title is a stunning one. Okay the Tortoise is the pursuit of success but what is the Achilles, the inability over time to achieve that success? Good acting throughout but cant take it as a comedy with a western mind.

Charles Kirschbaum Itano Takeshi's movie reminds us two facts that unfold from the same root: timocracy. Timocracy, from Plato, is the rule of the worthy. I take this as distinct from plutocracy, which is the rule of the wealthy. In societies where self worth is overlapped with economic value, than all plutocracy is also timocracy. Since Van Gogh (Heinich), it is clear that worth in arts stems from self-sacrifice for a superior cause: art itself. But this is not just "art-for-art-sake" (Bourdieu) as if an individual resigned to poverty is able to finally pursue his true inner calling. Machisu Kuramochi (Takeshi) is always checking his last oeuvres with a merchant, the true source of recognition. Impossible to achieve such recognition, the quest resembles Achiles's towards the turtle: although it is a farce (the intrinsic worth in art) it is (because of it) impossible to achieve. Self-destruction is tried (again we must think of Van Gogh), but here Achiles achieves the turtle. It is granted to the artist some human condition. The most touching scene is Kuromochi taking the "sudary" from his daughter's face. Art as sacred and sacrilege is all articulated in few minutes on screen.

Chung Mo This should be required viewing for everyone in the "art" world. Kitano skewers global modern art culture and also makes fun of his own work.The story is simply of an artist from childhood to "middle age" (which seems to be around 62) as he tries to be a successful artist. He starts out as an untrained "primitive" but with a certain talent for texture and color. He is insulted at every turn while we get to see the "good" art by "masters" which are all really, really bad. Unfortunately the artist gets progressively worse as he takes advice from gallery owners on how to make his work "sellable", which it never is. Every time the work gets better, he's advised to go in a different direction. Many mildly humorous situations arise but the film isn't going for outright laughs most of the time. The scenes of the "middle aged" artist (played by Kitano) getting his supportive wife to make his art are very long, get progressively cruel (probably part of the point) and could have been cut down a little. The issue of autism isn't directly addressed but the character certainly exhibits symptoms.This is a very good film although a little long. It may not be as good to someone who has no experience with the art world of today. Kitano created all the art in this film, good and purposely bad.