Perry Kate Very very predictable, including the post credit scene !!!

Steineded How sad is this?

Tedfoldol everything you have heard about this movie is true.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

grantss Several years on from when we last saw Patsy and Eddy, Patsy is still in her fashion critic role but Eddie's fortunes have waned. Her list of PR clients is limited and low-key and her memoirs are not going to get published. While attempting to gain Kate Moss as a client, Eddie accidentally pushes her into the River Thames. Moss does not reappear and Eddie becomes a murder suspect, and Public Enemy Number 1. To escape the publicity Eddie and Patsy head for Nice.Being a fan of the TV series I did not have great expectations for this movie. TV-to-movie conversions seldom work and in this case the TV series finished four years previously and was pretty much done long before that. In the end, I was right about the conversion aspect - there's not enough material to sustain a feature film and the movie is festooned with silly scenes to pad out the time. The characters haven't aged well, and Joanna Lumley's script has not really adapted to their aging, seeming to still be based in the 90s in terms of character traits. Saffy / Julia Sawalha and Bubble / Jane Horrocks are particularly hard done by in this regard. This said, its not all bad. There is a great swipe at the pretentiousness of the fashion industry and the superficiality of the media. There are also a few very funny moments. While the main characters feel like they're misplaced in time, and are living off old glories, some of the secondary characters make up for this. Kathy Burke as Magda is particularly entertaining.Ultimately quite uneven with just enough good bits to make it likable.

Kim Freyberg This movie is one of the worst movies I've seen. Me and a friend, both of us are die-hard fans went to see this...movie. Not one single time we felt close to a laugh. We're from Denmark, and this movie reminded us about all those really bad danish comedy movies from the 80's with bad jokes, bad music, bad cuttings and bad everything. It's unbelievalble thats this movie is written by the same person who wrote the absolute fabulous TV-comedy. But then again.. It's seen before and It's well-known that comedy-shorts became flops when transformed for cinema. Laurel & Hardy, mr. Bean and others are on that list. So be warned! I really felt I wasted my money on this movie. It's bad.... really bad, and It's hard for me to understand that Jennifer Saunders and Joanna Lumley could do this. But then again.. money has It's own way to persuade. Unfortunately I was persuaded to waste both time and money on this dilettante show.

SnoopyStyle Eddy (Jennifer Saunders) and Patsy (Joanna Lumley) are still the same. Marshall is getting transgender surgery and cutting off the house payments. Lola is staying with her mother Saffy at the house. Of course, mother and Bubble are still around. Eddy's book deal falls through. She's desperate to get Kate Moss as a client but ends up pushing her into the Thames. With Kate Moss feared dead, Patsy loses her job and the girls escape to the south of France with Lola. Patsy is looking to marry rich Charlie from the old days.Expanding a TV show into a theatrical movie is not always an easy task. The laugh track is gone. Even the old kitchen is gone. Like Entourage, this tries to fill up the empty spaces with cameos. Some are fine like Stella McCartney, Lulu, and Baby Spice who are all veterans of the show. Kate Moss is a good MacGuffin. However, the big screen is simply too big for the show. The best moments are the sharp jabs from the show's regulars. Eddy and Patsy fighting with Saffy is comfort food. Instead of trying to go bigger, it really should concentrate on the characters and their relationships.

Unknownian I own every DVD of every AbFab show, and I still enjoy them today as I did when they were on BBC. I wish I could rate this a 10, but I am being extremely generous rating it a 6.What went wrong: Jennifer Saunders wrote a weak script devoid of the essence that made the show what it was in the 90s. It actually started out pretty good. It opens at a fashion catwalk show, and the stumbling duo make a funny entrance. The film kept up that tone until Kate Moss lands in the water. Then, it's like we are watching another movie. Saunders reverts to a strong story-line, and the movie begins to go south from there on. The original show was never so much about the story as it was about the interaction between the cast members, the situations they found themselves in, (like in the Courtroom after being busted for something usually relating to drugs) as well as the slapstick antics pulled off by the fidgety, head shaking Saunders and the tramp, her pal Lumley; both were on a 24 hour buzz from the 70s, consuming every drug in the universe 24/7 to the point where walking was a full time job. Of course we can't ever forget about Bubble (Edna's PA). I haven't decided whether she was under utilized in this installment, or out to lunch. Either way, it was disappointing to me, because she was one of my favorite characters on the TV show. I also thought Saunders overdid the Botox. She was almost expressionless and appeared to be plastic with little of her former energy. When she fell out of her car as she did a thousand times in the TV show, we laughed. Now, it looked like it hurt, and it seemed difficult for her to do. Perhaps she was actually too fat at this point in her life, to comfortably play her fat self character Edna.The direction by Mandie Fletcher was embarrassing to watch. The script played out so convoluted, and disjointed, it might have been directed by Barnum and Bailey. However, the HD cinematography was spectacular, colorful, and beautiful to watch; the wardrobe was glorious, and so were locations chosen for the film.Also on the plus side, it was great to see the old gang back together again, and a special shout out to June Whitfield, who at 92 years of age, gave the best performance of the lot, and had lost none of her character's essence. Her performance, along with Julia Sawalha's surprising singing abilities, were bonus surprises that I truly enjoyed. I really hate to see AbFab go out like this, but you reap what you sew, and Saunders fell a bit short of being a master seamstress in this attempt at a modern day AbFab.