Able Edwards

2004
5.5| 1h27m| NR| en| More Info
Released: 15 March 2004 Released
Producted By:
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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The story of the clone of a famous entertainment mogul created to revive the glory days of his deceased predecessor's corporation. In the process of restoring reality entertainment to a synthetic, virtual world, the clone relizes he has yet to live as his own man.

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Director

Graham Robertson

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Able Edwards Audience Reviews

Ehirerapp Waste of time
BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.
Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
ApolloBoy109 Stumbled across this recently on netflix. In a nutshell, a "Walt Disney" like creator is revived from cold storage via complex cloning to assume control of the company he created over a hundred years ago. The idea alone intrigued me but it was the execution of the tale that floored me. From the acting (flawless) to the script (a tidy tale of "be careful what you wish for you just may get it.")loaded with twists and turns to the outstanding CGI backgrounds that give the film a rich science fiction flavor.This is a must see for intelligent film fans of science fiction. Add a dash of Citizen Kane, an amusing parody on Disney and the ethical question, is a clone a real person or the property of those who created it.Abel Edwards will make you believe. And you better believe ten years from now this will achieve cult status.
J. Neil Schulman I think it would be the rare independent filmmaker these days who hasn't fantasized about how it would be possible to bypass the necessity of building sets, going on location, and long shooting schedules -- in other words, all the things that aren't a problem for a high-budget studio film but are for shoestring indie productions -- by the expedient of shooting the actors entirely on a green screen stage and compositing everything else digitally.Able Edwards did it, and you know what? For the most part it really works.Yes, some of the seams show -- but so what? You can look at classic movies like Casablanca and North by Northwest and see where the old process shots weren't entirely convincing. As long as there's a good story being conveyed by good acting and directing, an audience is willing to play along and suspend their disbelief. If they didn't, nobody today would have a clue who Aristophanes or Shakespeare was.The character of Able Edwards is part Walt Disney, part Howard Hughes, part Orson Welles's and Herman J. Mankiewicz's fictitious Charles Foster Kane--who in turn was based on the real-life William Randolph Hearst. Able Edwards story plays with the mythology of Walt Disney being frozen by having Edwards' frozen remains cloned, then -- in an homage to Ira Levin's The Boys from Brazil -- groomed to restore the legacy of the original.The comic irony of Able Edwards is the juxtaposition of its method --which is the creation of a virtual reality -- with its theme -- that in a world in which all entertainment is virtual, the public will crave a return to entertainment based on the infinite nuances of reality.Both Able Edwards and Sky Captain and the World of Tomorrow were made in 2004 using the total green-screen virtual technique. But Able Edwards was made for $30 thousand and Sky Captain for $40 million. The thing is, Sky Captain cost a thousand times as much as Able Edwards but only looks about twice as good -- and I found both movies not all that far apart in entertainment value. Digital media and production is to making movies what Colt firearms were to the Old West--the great equalizer.Full disclosure requires me to reveal that I heard about this movie because its title actor, Scott Kelly Galbreath, also played in a movie I directed. Scott is a fine actor in both this movie and mine, and, the fates willing, I predict a big career ahead of him.I hope this movie ends up on TV --either premium cable or network. It deserves to be much better known. Meanwhile, I bought my DVD from Amazon.com, which means you can, too -- and I recommend that you do.
Chris Mackey (guestar57) ABLE EDWARDSwww.myspace.com/ableedwards This film is amazing and peeked my interest when I heard clone and Disneyesque in a blurb .As a young boy I had heard Walt Disney died,I knew his Imagineers would not let the old man go that way.I figured he was frozen next to L.Ron Hubbard and Howard Hughes,Please tell me you had'nt thought of this after hearing about Ted Williams. The digital/green screen process is quite a suspension of belief, But you are glad when you see some of AE park attractions. The sci-fi part is almost a stepping off to remake Citizen Kane,But that would cheapen what has been accomplished with this great film…Yes, FILM-No matter what medium .The cast would be of no OOh-Ah, But If its good enough for Steven Soderbergh to produce,Hell Im in ! You will enjoy this movie, Its much more successful at the COMPLETE green screen effort than anything from Hollywood, And a great story to boot.
reviewrrr If you haven't seen a picture done with green-screen, see this film. I just saw it at the Cinequest Film Festival in San Jose. Visually the black and white moody, gauzy tones were so mesmerizing. The story was great - Able Edwards (clone) struggles to find the humanity of life in a world of sterile conveniences. It was a bit distracting at first, because he (Able) looks a lot like Gavin Newsome, our mayor, but...once I got past that. The movie had a great blend of 'cheesy' shots (people shuffling in place trying to give the illusion of moving down a hall), and incredible shots (well, I guess not 'shots', but...how do you describe the building of green-screen backgrounds..?) anyway...amazing looking at the 'ruins' of a Disneyland-like park. Creepy, sad, moving. What a great film! Something about it in the theater though...it was quite pixilated(?) at time...or something... We were joking that it would be great to see it on the 'small' screen some day :)