Karry Best movie of this year hands down!

Cubussoli Very very predictable, including the post credit scene !!!

BootDigest Such a frustrating disappointment

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

bkoganbing Although the story line bogs down a bit and the plot gets a bit thick at times to follow, for fans of George Sanders this film is an absolute must. I cannot imagine anyone else but Sanders in the lead as the con man Eugene Francois Vidocq the thief who rises to become the head of the Paris PD and then gets put in charge of the security at the bank. The better to rob it when the time comes.Even when in the greatest of danger of exposure Sanders is never at a loss for word, wit or wits. The only one who knows the whole story of Sanders is Akim Tamiroff and he won't tell.I cannot and will not spill any of the elaborate plans that Sanders makes, but it involves his ability to con every one so that he is trusted implicitly.One should also take careful note of Gene Lockhart who usually is playing sniveling rats. Here for a change of pace he's a detective who Sanders makes an absolute fool out of.Forget Addison DeWitt and the Oscar Sanders won for playing him, A Scandal In Paris is no doubt his career role. And he looks like he's having such a good time in the part.

ian_ison Probably symbolising the Wheel of Fortune, a beautiful hand-cranked carousel in a pond features a couple of times towards the end of the film. Look for the rabbit seat which resembles the dog, Dougall, from the British Magic Roundabout stop-motion children's series. Here the church's St George vs Dragon stained glass tableau plays out in real life as the morality play on our freedom to choose right from wrong. Death & the Maiden are here, too, for those with the eyes to see. It seems that the first meeting of St George & his maiden happens at a rural bathing fountain where a serpent has lain hidden in this dress of one of the damsels bathing there. A strike from his riding crop dispatches that incarnation of the Beast but there will always be more. His other lady - seemingly more fair but dark at heart - dies when her jealous spouse disguised as a 'good fortune' manakin-selling beggar mistakes her attentions to a milliner's mannequin & shoots her out of the picture, so to speak. The delicate kiss of benediction which he gives to the girl whilst slipping quietly through her bedroom chamber may translate as a reverse Pygmalion touch where the spirit of St George transfers out of her dreams & into the rogue upon whom the chapel's window is styled.

whpratt1 Have always wanted to view this film starring George Sanders,(Eugene Francois Vidocq) along with Signe Hasso,(Therese De Pierremont) and Carole Landis ( Loretta). This film had plenty of comedy, drama and romance going on with sexy Loretta who doesn't mess around with Eugene Vidocq except when she lets him take her garter off her leg in those horse draw carriages in France years and years ago. Gene Lockhart,(Police Chief Richet) who marries Loretta and becomes a jealous lover and follows her throughout the streets of Paris with bird cages on his back. Gene Lockhart gave a great supporting role and was the father of June Lockhart in the series, "Lassie". Akim Tamiroff, (Emile Vernet) was a buddy to Eugene Vidocq and was another great thief and professional con-man who would steal a bind man of his pencils. It was great seeing Carole Landis looking so sexy and beautiful and who took her own life in 1948. This is a great Classic film from 1946 and well worth your time to view. Enjoy !

David (Handlinghandel) his costume drama is ill cast and without charm.George Sanders was a superb character actor. But he is thoroughly implausible here as the lead, an Eighteenth Century rogue known for his philosophy and great good looks. His costar is, of all people, Akim Tamiroff. Some Frenchman! Then there's Signe Hasso, in a dark wig, as the virginal daughter of a wealthy family. Carole Landis fares best. The movie opens with her in silhouette. She is a soubrette, and a naughty girl at that. She disappears for a while but turns up in an improbably situation. But she's good. She was always an appealing actress. Here she is cast closest to her usual type of role.It's meant to be a little naughty, kind of ooh-la-la. It ought to have had a light touch but it's a leaden affair from start to finish.