Moustroll Good movie but grossly overrated

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Cheryl Thomson Cruising YouTube on a cold winter's night is often a voyage of discovery. Forest Whitaker reminds me of Philip Seymour Hoffman, who spun out of this world not too long ago. This is a character study, so carefully crafted, or should I say sculpted, by Whitaker in his portrayal of Abe Holt, that the end result is a piece of art, not a formula. The stutter, the hesitant intonations of speech, convey that Holt as a man has never really been comfortable in his skin, in the ugly career of a man who is always hiding, always pretending to people to be something or someone he is not, paid to find dirt, wherever it leads, and no matter how many lies he tells. Not far into the movie at all, I understood his breaking point was closing in on him. His overwhelming loneliness was his fragile coat of armor. Then real human contact destroyed him, or saved him, depending on your point of view. First, it was the Mother-Earth-Waitress, whose performance blew me away. Then it was the little boy Thor. Suddenly in the middle of the coldest rain and the slickest snow and the most revealing shadows ever caught on celluloid, a human being emerged from the blackened, contorted ruins of a corpse on a slab. Watch the film, and you'll know what I mean, and what Holt's camera shots in that makeshift morgue were really highlighting. This was an outstanding cast, and a film that kept me under its spell right to the end credits. Honestly, any decent actors could have played the other parts. But no one, no one ever, could have brought Art Holt to life like Whitaker. Ten stars, and more.

TxMike This "independent" movie is set somewhere in the USA, but it is filmed in Iceland. All the crew and the director appear to be Scandinavian. It is about a man who seems to live his life running scams to get insurance money, but this time he runs up against one of the better insurance investigators who tries to minimize payouts.The lead role is played by Forest Whitaker as Abe Holt, who seems very good as the insurance man. When a man insured for $1Million is found dead and burned in a tragic car wreck, Holt is dispatched to see if there is fraud involved. Basically, he tries to find the victim alive. The rat is Jeremy Renner as "Fred", who apparently is married to the sister of the deceased man, and she is the sole beneficiary of the $1Million. But not all is as it seems to be. Julia Stiles is Isold, the sister, and the young son is Thor. Interesting movie, something different from Hollywood blockbusters.SPOILERS: The man Fred who appears to be Isold's husband is really the man supposed to be dead, Isold's crooked brother, who found a drifter to kill in the wreck. Holt figures this out, a key piece of information is finding the real "Fred" was already dead. Holt arranges the policy so that Isold will get $1Million, but when he tried to get the brother to justice, both end up dying in yet another car crash.

Lathe_of_Heaven Okay, first off, it wasn't an absolutely horrible film. The soundtrack was kinda neat although very oddly placed along side the story. I FULLY agree with many of the other posters here (which I SHOULD have bloody well taken MORE time to read first!!!!!) when they say that the visuals and the VAGUE fundamental mood of the film is good. But, it is SO dang BLAH...They simply could have done WAAAAAAAAAAAAAAAAY more with it. The way the dialog was written and staged (directed) left a HELL of a lot to be desired. Needless to say Forest Whitaker's accent was ABSOLUTELY, CATEGORICALLY, and COMPLETELY annoying and unnecessary. I mean, did ANYONE ELSE bloody well sound like that???!! What the HELL was the point??? GEEZ...If the director had just done EVERYTHING the same EXCEPT added some really good, stylistic, Lynchian Surreal touches... Bloody SOMETHING!!!! Then maybe I could have at least lived with it...VERY, VERY disappointing...

gradyharp A LITTLE TRIP TO HEAVEN is a strange little Indie film by Icelandic director Baltasar Kormákur, a young director with some very fine ideas but with a script (written both by the director and Edward Martin Weinman) 'that is so spongy that the impact of the film relies on the considerable qualities of the cinematic images. Filmed primarily in Iceland with some scenes in Hastings, Minnesota, the mood is dank and dark and cold - and so is the story.We first meet insurance investigator ('adjustor') Abe Holt as he listens to his boss Frank (Peter Coyote) explain to a new widow why she will not receive full death benefits because the insurance company took photos of her husband smoking, the apparent cause of his death. Abe just sits in the background but we know he is in tune with the fraudulent activity of the insurance company. Almost immediately he is assigned to a new case: an ex-con with a million dollar life insurance policy has apparently been found dead in a car crash burned beyond recognition. Abe drives to the tiny snowy desolate village where his questions of the townsfolk reveal that the victim was Kelvin Anderson, the brother of Isold (Julia Stiles) who is married to a low life type named Fred (Jeremy Renner), a man who we have seen in flashbacks as the one responsible for arranging the car crash and setting the car on fire. Abe sneaks around the town, spies on Isold, and becomes involved in the investigation in more ways than the honest one. It is the interplay of the three - Abe, Fred, and Isold - that provide the intrigue and mystery of the apparent framed insurance scam.The screenplay is so full of holes that it is difficult to follow the case's development. The actors are superb artists: Forest Whitaker made this film almost simultaneously with his Oscar winning 'The Last King of Scotland' yet here his character is plagued by an affected accent and by the lack of substance that might make us care about his plight; Julia Stiles does her best with the little she is given to do and Jeremy Renner is convincingly menacing without any factors that make us find him worth caring about. The supporting actors (Joanna Scanlan as a sleazy bartender, Iddo Goldberg and Philip Jackson as the police, Alfred Harmsworth as the 'son' of Isold, and Vladas Bagdonas as the coroner) actually fare better than the leads as far as material available.The strong aspect of the film is the visual imagery, due to the decisions of picture composition by Kormákur and cinematographer Óttar Guðnason and Mugison's musical is apropos for the mood. But the film remains grounded and a bit on the confusing side because of the director's lack of unity. One wonders why Whitaker, Stiles, and Renner signed on to this little film. Grady Harp