SoftInloveRox Horrible, fascist and poorly acted

BallWubba Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

whpratt1 Enjoyed this film because it clearly shows the American public that all Military Forces have a slogan, which is simply: CYA in more ways than one. In this film there had to be a fall guy for a problem of this magnitude, where many lives were lost, and the gay sailors took the brunt of all the blame and were not able to defend themselves. In the picture a Navy Officer clearly pointed out the many problems that existed; the sailors in the gunnery section were taking parts from one place to repair another problem. The Navy was not allocating any funds for these old Battleships from World War II. James Caan,(Capt. Fred Moosally did an outstanding acting role and stood up for all the enlisted Naval Personnel and made the stink go away. However, the big wigs in the Naval Department in Washington still stood their own ground. The American public cannot be fooled any long by such incidents and the truth will come out today without any cover ups. Great picture, but very graphic and maybe it needed to be shown.

jbacks3 I was on shore duty at the time of the Iowa disaster and I remember thinking something stank about blaming the turret 2 explosion on an allegedly suicidal, allegedly homosexual gunner's mate. The true cause fell on the shoulders of the Reagan Administration's lust for antiquated platforms (the battleship went out with Burma Shave signs back in the early 50's) while caught up in their irrational enthusiasm for a 600-ship Navy (which never materialized, incidentally). The then recently-elected George Bush would wisely decommission these dinosaurs. The true blame for the turret 2 disaster was old unstable and overloaded powder. The shame the Navy has to live with is the cover-up that followed. A Glimpse of Hell is a superior TV movie that probably deserved to be produced as a major motion picture. The performances are very good (James Caan and Daniel Roebuck are excellent)--- my only minor gripe is the interior shots of the 50-year old Iowa look phony (Roebuck has a stateroom as an E-6? I doubt it guys... and the boat would've been home to cockroaches the size of Buicks) and the ubiquitous sounds of the 1MC I recall are missing. The actual explosion and special effects are well done. Now if only I could only get the A&E Channel to cut back on commercials every 92 seconds...

Dfscribe As a Navy veteran, I can truthfully say I was mightily impressed by the quality of this movie as well as its message. The producers seemed like they genuinely cared about the welfare of the ordinary sailors who man ships such as the Iowa. The fact that the Navy falsely implicated one of these sailors, who was no longer alive to defend himself, is appalling in and of itself. The fact that FX and the people who made this movie attempted to set the record straight, speaks glowingly about the state of movie-making these days.Well worth watching.

mermatt This film vividly portrays the extent to which the male macho myth controls the military mentality. Youthful idealism is pitted against the false mask of professionalism. We see a literal dis-illusionment played out before our eyes -- and wish it were not so. We see loyalty used as an excuse for lying and prejudice -- and want to think these things can't really happen.An excellent cast and clipped plotting provide us with a gripping tragedy which is all the more frightening because it is a true story of a decade-long cover-up and blatant homophobia. It is hard to believe that the military would lead a witch-hunt against one of its own men to cover its own ineptitude. But the facts are put before us in the shape of shredded, burned corpses. Telling the truth is condemned as ratting and snitching. Such is the paradox of 1984-style doublethink.This film is a sobering look into the corporate mind, a grim revelation of the lengths people will go to hide from reality. I commend FX for being bold enough to present this sad tale in such an excellent film.