Reptileenbu Did you people see the same film I saw?

CommentsXp Best movie ever!

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

MissSimonetta As a remake of The Most Dangerous Game from 1932, A Game of Death (1945) suffers greatly in comparison. It simultaneously clings too close to the original picture, reusing lines, scenarios, and even footage, coming off as a largely shot for shot remake, and when it does add new elements to the story, they only drag down the pacing and economy of the movie. We have a whole fifteen minutes of dead screen time, where the characters know the villain's intentions and make a plan which ultimately fails. It's boring and pointless.There's little style to the proceedings: everything is over-lit and lacks the proper horror atmosphere. Everything is watered down and there is no strong sense of suspense. The best parts of the climactic hunt, such as the cinematography, are taken straight from the 1932 film.None of the actors top the original cast. Not that anyone is especially bad, but they're all rather bland and seem to phone things in.The biggest difference is that Game was made after the Hayes Code started to be enforced in 1934, while The Most Dangerous Game was a pre-Code picture through and through. The hero in that film is almost as violent as the villain and the violence depicted is rather graphic for the time, unlike the bloodless stuff here. The original also makes the antagonist plans to subject the heroine to the proverbial "fate worse than death" much more explicit, though some of that is still present here in a more subtle manner.A Game of Death is not a terrible movie, but seeing as it offers no fresh take on this story, it feels stale and pointless. You're better off with The Most Dangerous Game or Run for the Sun from 1956.

Michael_Elliott Game of Death, A (1945) ** (out of 4) Robert Wise directed this RKO remake of their 1932 classic THE MOST DANGEROUS GAME. This time out, world-known hunter Don Rainsford (John Loder) washes ashore on a strange island where he learns that its owner Erich Kreiger (Edgar Barrier) likes to hunt humans for sport. You know it's never a good sign when a remake borrows footage from the original film but that's not even the start of the problem with this film. You certainly can't blame the studio for trying their hand at another version of the story but there was so much set against this film from the word go. For starters, that 1932 film is a flat-out classic and one of the greatest and most gruesome action pictures you're ever going to see. With the Hayes Office in full force by 1945 that meant the story had to be toned down and this really kills a lot because you haven't a shot at building up any atmosphere and even worse is that this remake doesn't contain that creepy and raw energy of the original. It also doesn't help but Wise seems to be all wrong for this material. Even though the subject matter had to be toned down that's not a reason for everything to be so lifeless. There's really no chemistry between the cast and when the final hunt does happen it's more boring than anything else. There's not an ounce of energy to be found anywhere and that's a real shame because the story itself is so good that it really shouldn't take too much to get it on the screen. Of course, another major problem is that the 1932 film had such a wonderful cast that it would be nearly impossible to try and match it. I thought Loder was pretty good in the lead but the screenplay really doesn't give him too much to do in terms of acting. Barrier isn't nearly as perverted or creepy as Leslie Banks but he has a few interesting bits. Audrey Long is pretty bland as the female on the island and Russell Wade doesn't do much as her weak brother. At just 72-minutes the film goes by at a rather good pace but the entire time you're just sitting there wishing that you were watching the original.

secondtake A Game of Death (1945)A legendary big game hunter is shipwrecked and lands on an island where a reclusive man and his motley crew of servants has been trapping humans and hunting them like wild game. A great idea, and this movie is pretty good at making an entertainment about it.It's not helpful to jump to the obvious, I suppose, but for those of us who have seen the two major versions of this sordid and contrived tale, the original short story is much better. In fact, the "The Most Dangerous Game" (as the Richard Connell story is called) has wit and drama and surprise, and an economy of telling, that makes it a classic and very readable still.So this 1945 version of "The Most Dangerous Game" falls short partly because it doesn't want to be as chilling and scary as the story. For one thing, it adds a shade of romance to the thing which cheapens the real essence of the conflict. When our hero, played by John Loder, arrives he finds a pretty young woman (Audrey Long) and her brother are captives there from an earlier wreck, and so we all know the brother is expendable and the man and woman are likely to win the day and drive off in the sunset at the end.Which ruins the point. The original has a tension of survival built in. It really does turn around the notion of the hunter becoming the hunted. The crazed hunter in this case, since it's 1945, is a German named Erich Kreiger (played by the very American actor Edgar Barrier, who came out of Orson Welles's Mercury players, and who played Banquo in the Welles MacBeth a couple years later). While we are name dropping, the director is the young Robert Wise, who it might be said never made a bad film in his life, and who had his own start as an Orson Welles tagalong. Even here, where the thrust of it is watered down, there are so many visually terrific parts it is a thrill to watch. In particular are the night shots of the pursued couple in the jungle, with moving camera through the weeds presaging the more famous running shots of Kurosawa's "Rashomon." In fact, the whole movie is very well made and edited, clearly an intelligent technical achievement. On that level, you can watch it with real pleasure.And the plot will just carry itself along. If you like this at all you should find the Joel McCrae and Fay Ray version from 1932, called "The Most Dangerous Game." It was shot partly on the "King Kong" sets at night when the more famous film crew was at home in bed, except Fay Ray, who of course was the heroine in both. It's essentially the same idea, with Max Steiner music, and it was here that the brother and sister were added to the Connell plot. You can also look for the very good Richard Widmark version, which has a very different feel and intention but ends up with the same hunter becoming hunted scenario, called "Run for the Sun" (1956), currently streamable on Netflix.

Ray Faiola While some may consider a remake of THE MOST DANGEROUS GAME pointless, the fact is the story is one of the most popular in modern American fiction and was certainly worthy of another cinematic stab. Contrary to some modern commentaries, A GAME OF DEATH does not feature Nazi characters. The antagonists are certainly German (the Russian Zaroff has become the German Krieger with a henchman, Pleshke, played by Scandanavian actor Gene Roth (the Stooges' friend "Mr. Borscht"). Noble Johnson is back, this time as a mute Islander in pseudo-pirate garb and he is, indeed, seen also via stock footage in his original characterization as Ivan. The narrative is expanded slightly by giving Rainsford an early opportunity to outwit Krieger and a thrilling sequence featuring the hunting of Trowbridge (this time played by Russell Wade). Edgar Barrier's characterization is certainly less boisterous than that of Leslie Banks, but it is no less valid. Similarly, John Loder matches Joel McCrea's paint-by-numbers performance as Rainsford. Audrey Long is lovely, but she conveys absolutely none of the terror that Fay Wray characterized in the original and that is, perhaps, the most serious flaw in this version. The manner in which Miss Trowbridge joins Rainsford on the deadly hunt is fatally offhand and puts a serious dent in the tension of the piece. The sets are fine, certainly worthy of RKO's designers and the old staircase tapestry is back and in full view. Paul Sawtell's music is original (there are no reprises of Steiner motifs) and that is a good thing. A final shot of the lovers smiling is very much out of place and does leave the viewer with a bit of a wince. Overall, though, I recommend seeing A GAME OF DEATH as an exercise in cinema archaeology if nothing else. Oh - and that famous shot of the shark attacking the boat captain, which many have speculated is "negative" in the original because it was cut by censors and then restored incorrectly - well, it's negative in this version too and, I think by design. It's a night scene and the reverse printing gives the effect of the shark attacking in black water. By the way, for those interested in the trajectory of distributorship, the 16mm print I acquired was an NTA print from the 1960's. Heretofore I was unaware that NTA had custodianship of this (and, I assume, THE MOST DANGEROUS GAME) after RKO's rights had expired.