Matialth
Good concept, poorly executed.
InformationRap
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Juana
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
slightlymad22
A Fine Madness (1966)Plot In A Paragraph: Samson Shillitoe (Connery) a genius poet, who is irresistible to women but is plagued by writer's block. I hate this movie. I bought a copy from France when I hadn't seen it, but wanted to complete my Connery collection. The collector in me is glad I did, but personally I wish I hadn't wasted my money. If you find Connery using his wife (Joanne Woodward) as a punching bag funny, you may enjoy it, but I don't find anything to laugh about here!! I will applaud Connery for trying something totally different in an attempt to move away from Bond, but I wish this wasn't the movie he chose to do so!! This is only the second time I watched it, and I have turned it off. A Fine Madness tanked at the box office.
SimonJack
This 1966 comedy by Warner Brothers pretty much nailed the fad of "free love" from the sexual revolution. Sean Connery plays Samson Shillitoe, a divorcée who's remarried. But he accommodates other women as well – any and all, who come on to him. It's definitely not a family film, and not much of a comedy either. The only reason I could see Connery and Joanne Woodward (who plays Rhoda Shillitoe) doing this film is for their roles. They are very good at these diverse, different characters, and show their acting talent. But for their excellent acting, "A Fine Madness" wouldn't rate more than one star. The screenplay is downright terrible, and the story has more holes than a slice of Swiss cheese. Comedies are supposed to make one laugh, but this one fails on that score as well.
ultimessence
Alright, this film is generally awful, admitedly...However, I always try to look at any motion picture in the context of it's day and in it's retrospective historical perspective.I like to look at movies as sociological studies, and the best ones transcend their time, becoming truly timeless."A Fine Madness" fairly stinks of clueless farce. The filmmakers completely lacked any shred of inspiration; a must for ALL art, IMHO.Just looked at it; it's big,loud and randy without any awareness of the cultural changes about to happen in the late 1960s. These artifacts are unintentionally funny, as with any generation gap showing the older generation trying to be hip, but just embarrassing themselves, as when the Rat Pack tried fruitlessly to stay cool in the late 60s. Hollywood was out of touch with the youth of the counter culture, and with some exceptions, like "Hard Days Night", "Alfie", "Medium Cool" and "Easy Rider", most 1960s movies that tried to look authentic and relevant to the times, failed.So, despite its badly written characters, it's hopelessly dated Psychiatric themes, its corrosively dated sexism and the apaulingly visionless, artless presentation, there ARE a few interesting elements.Clearly a big budget film, I was impressed by the progressive bravado that the director showed in manhandling New York City. These bold tracking shots and cunningly calculated hand held camera work was quite new for 1966. These classy looking outdoor location scenes merging actors staying in character with the hubbub of the steaming cauldren of street life in Manhattan could not have been pulled off with a small budget. Look at that amazing tracking shot of Connery running on the Brooklyn Bridge. Many neighborhoods were captured in a stunning naturalism that was unprecidented. So if nothing else, it is as amazing a record of the city as when Harold Lloyd caught it back in the 1920s.It's too bad the story couldn't have been embued with a great script. Perhaps something about the Village, with all it's alternative zeal, and incorporating the changing times which the city was such a part of.The Music score tried to be wacky and inventive too...One could even see elements of Danny Elfman 30 years earlier, with all the big, burlesque horns and drums. Evidently the score was trying to compensate for the dull script and shrill, yet pedestrian performances by spicing up the soundtrack. But after a while the relentless music became as grating as Joanne Woodward's shrill hollering voice.We have to wonder what Billy Wilder or Elia Kazan would have done for this material? Sigh...But Hollywood has always been bottom line, and wants to make its profit fast. Art? Who cares. Vision? Timelessness? Feh, sez the Movie Machine that has forever pandered to the lowest common denominator.One leaves this dreadful film with the notion that it was teetering right on the precepis of the Martini vs. Mariquana epochs and fell back into its pre-sexual revolution, postwar establishment ethos with the thud of someone who just missed his train.Interestingly and awkwardly, one is easily reminded of one of Connery's famous statements in a latter interview where he cavalierly remarked that 'Women should be hit now and then to keep them in line', or something to that effect. One can imagine his brutish Samson saying the same thing in this antique archive of a darker time in American HIStory.
graham clarke
"A Fine Madness" despite being something of a bumpy ride won me over with its well meaning driving energy. It has a certain wild charm about it, but ultimately what really makes it worth a look is the performance of Sean Connery.Connery clearly desperate to escape the James Bond mould takes on the role of a non conformist borderline nutcase poet with the unlikely name of Samson Shilitoe. Although this might sound like an impossible transition, Connery with his powerful presence and loads of charisma plunges into the role and turns in a riveting performance.There's also fine support from Joanne Woodward, Colleen Dewhurst and Clive Revill. The only disappointment is Jean Seberg who seems wasted in an underwritten thankless part.For Connery fans this is essential viewing but others too may be surprised by this somewhat beguiling movie.
