Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

SunnyHello Nice effects though.

Dotbankey A lot of fun.

Glimmerubro It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

kkhannah I'm going to admit straight off of the bat that the only reason I watched this film was because I'm a huge Norman Reedus fan. I'm also going to immediately admit that the only reason I continued watching this film once I got past the half hour point was also because of Norman Reedus.The plot of the film has plenty of potential and, perhaps in another director's hands, could have been a thrilling, emotional drama. What we actually receive, however, is a film sorely lacking in emotion and character development. This applies to the plot as well; the murder of Vincent's wife, which should have felt like the driving force of the story, was really more like a brief point. In addition, the entire movie seems to be lacking in motivation; many aspects that could have been explored further are left unexplained or simply ignored. I also had to suspend realism at a number of points, especially regarding Alice's seduction of Roger basically happening in one night.Of all the characters, Alice's was most underdeveloped and it almost feels like the writers didn't even make an attempt to make her likable. Indeed, over the course of the film, the only things I truly felt towards her were anger and childish annoyance. This is a role that could have been written much, much better and that improvement alone most likely would have changed the entire film. Every movie does have a highlight, however, and the highlight of A Crime happens to be the acting of Norman Reedus and Harvey Keitel. The latter gives a quietly menacing, slightly creepy performance as cab driver Roger and Norman, although underutilized, plays his role to the best of his ability.Overall, if you're a Norman Reedus or Harvey Keitel fan, or are extremely bored on a weekend, give the film a try. Otherwise, there are much better 'noir' films that you could view.

darciecal ***SPOILERS***SPOILERS***SPOILERS**** I watched this movie because I'm a big Norman Reedus fan. I would have preferred if he'd had more screen time for character development. My review contains SPOILERS! Alice (Emmanuelle Beart), a small woman with lips like a cartoon duck, is supposedly so beautiful she can get any man she wants. Predictably, she wants the one man who doesn't want her: Vincent (Reedus), who finds her annoying. He's also hung up on his wife's murder of 3 years prior, which he believes was committed by a cabbie in a yellow cab with a dented door, and wearing a red shirt and a ring. Now, you'd think they'd be able to find this guy. Granted, there are tons of cabs in NYC, but not all of them are yellow. You think they'd be able to find cabs that were on the road at that time and check for dented doors, and also check dispatch records to see which cabbies were driving. But no, with all the information they have, they can't find the killer.Alice decides that if Vincent can only get over his wife's murder (by killing the killer), he would immediately and automagically fall in love with her, despite the fact that he doesn't really like her. She then dupes aging cabbie Roger (Harvey Keitel) to think that the most beautiful woman in the world could fall instantly in love with an aging cabbie who has a boomerang fetish. She dents his cab door (no explanation how she could duplicate the size, shape & location of a dent she's never seen), buys him a red shirt (as if the cabbie wouldn't have changed his shirt in 3 years) and a ring, which again we don't know how she could duplicate.She steers Roger toward Vincent, who arranges Roger's death but does such a bad job of it (despite being helped by a gang) that Roger lives, seeks out Alice (returns to her like a BOOMERANG, get it?) and after Alice tearfully confesses everything to him, decides he still wants her. After doing a weird dance with a booze glass at a jazz club, he insists that he and Alice leave NYC. The minute he falls asleep in her presence, she murders him. Since the NYC police are portrayed as completely incompetent, we are left with the idea she gets away with it and she, Vincent, and his dog all live happily ever after, because of course the need to avenge his wife really was all that was needed for Vincent to fall madly in love with Alice.I liked the look of this film, and I did keep wondering what would happen next. The acting is decent but Reedus is only given a one-dimensional character to play, and the numerous implausibilities hampered it for me. I generously give it a 7, because it gave me a couple of hours to look (on and off) at Norman Reedus.

Claudio Carvalho While returning home after fixing the lights of a billboard, the worker Vincent Harris (Norman Reedus) passes by a taxi with a damage of about 2 x 45 cm on the door. When Vincent arrives home, he finds his wife murdered on the floor of the living room. He claims that the driver was wearing a red jacket and a ring with a large stone. Three years later, he lives in Brooklyn but is still chasing the killer of his wife. His dysfunctional neighbor Alice Parker (Emmanuelle Béart) has a crush on him, but Vincent is haunted by the ghosts of his past. When Alice meets the cab driver Roger Culkin (Harvey Keitel) out of the blue, she seduces him, damages his taxi and gives a red jacked and a ring to him. Then she forces him to meet Vincent, inventing a culprit to release Vincent from his past and stay with her."A Crime" is a weird but original movie, supported by the magnificent Emmanuelle Béart in the role of a fatal woman. The story is unusual and follows the style of a film-noir, and the mysterious character performed by Emmanuelle Béart is one of the most manipulative I have ever seen, using her sexy body to create an illusional relationship with the tough taxi driver Roger Culkin to achieve her ultimate objective. The movie has erotic scenes performed by Emmanuelle Béart and Harvey Keitel and I liked it. My vote is seven.Title (Brazil): "O Crime" ("The Crime")

queridaprod a film, scenario and atypical director ! it will stay as a classic ! Manuel Pradal film an unknown New York and actors as Emmanuelle Béart is so different and natural as she have to be. Keitel is one of the New Yorker's indispensable actor that Manuel Pradal use as a "maestro"You can't miss this movie wrote by Pradal and Benaquista in the mood of Ginostra as a great scenario, a great story. there some Ferrara inspirations, and definitely Manuel Pradal is an author, not only a director, interested and inspired by stories, in love with actors and giving the right place to them and to the special locations... In this case New York is an actor as Keitel and Beart and will stay like in the Scorcese's Mean street and taxi driver...