Noutions Good movie, but best of all time? Hardly . . .

Cleveronix A different way of telling a story

Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Paul Evans A Carribbean Mystery isn't classed by many Christie fans as one of her greatest novels, I on the other hand love it, and can virtually say it word for word. The problem I have with this adaptation is that the central character in the book is not Helen Hayes, as much as I truly love her as an actress, a great Miss Marple she did not make, her accent is the problem, she's referencing At Mary Mead, but they must have moved it....to the deep south, she is not saved by that attempted phrase 'I dropped me yarn.' The way the camera scans around the suspects after the major's speech is shocking, a very unnatural looking scene. The pacing isn't great, it starts off as a slow amble and rushes into the ending. In fairness the plot is quite faithful, so I applaud them for not tinkering with it hugely. The scenery works pretty well, the music is really nice and there are some nice performances, Maurice Evans is excellent as the Major, he makes him likable. Season Hubley is the standout as Molly, she delivered a particularly strong performance, making some of her fellow actors appear a little bland. Bernard Hughes is a little to brash, he would have been first on the list for most killers.Its not a bad film overall, the problem is, this is supposed to be a quaint village lady arriving in the Carribbean, I don't buy it here. Do yourself a favour, watch the Joan Hickson version, it is superior in every possible way. 6/10

Neil Doyle Those are the two glaring complaints I have about A CARIBBEAN MYSTERY, a made for TV movie which dawdles on for a long time before getting to the point of a series of murders committed at a vacation resort.Helen Hayes, her American accent intact, still makes a passable Miss Marple even when she utters the name of a quaint village in England as her home, St. Mary Mead. Barnard Hughes is the mean-spirited man whose rudeness becomes a bit overdone after the first few scenes, making you wish he's going to be one of the victims. Not so. He and Miss Marple join forces to solve the crime.The conclusion is rushed through with brief explanations and not much dramatic conflict, so it's a bit of a letdown--although the murderer's identity is never hard to guess. The acting ranges from competent to barely competent, but the script is rather mediocre.Recommended for rabid Christie fans only. Nicely photographed with Santa Barbara, California filling in for the Caribbean, but this is very tepid stuff, to say the least, nowhere as good as other Christie outings.

lucy-66 Cable TV here has just shown the two versions back to back. I prefer this one as the more 'solid and faithful' even though the British version has the great Joan Hickson and a strong supporting cast. This version has the great merit of sticking to the story with no fancy touches (or overacting). It's been updated (to the 80s from the 50s) but the cast have the right kind of glitter and vivid beachwear (and big hair).This US Christie series often looks like Agatha played by the cast of Dallas - appropriately enough since she often wrote about people who didn't need to work thanks to Daddy's money! xxxxxxx

Movie_Man 500 Solid faithful adaption of one of Miss Marple's vacation mysteries, this has a decent cast (for a tv movie) and an okay storyline. Warning: Barnard Hughes as a grouchy old millionaire will soon start to irritate the more he nags and grumbles. The killer should have offed him in the first 5 minutes. Helen Hayes makes a nice Jane however so she saves the movie from veering too far into the goofy, even when her snooping gets out of hand. This may her best starring performance in a Christie adaption. Another version of this story was made for British television.