Wordiezett So much average

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Portia Hilton Blistering performances.

elle_kittyca I was only inspired to write this review after reading another review that put the movie down for not putting an emphasis on what that review thought should be the "lessons" of the film. That reviewer suggested that we don't know how good we have it and need to focus on that, and the movie should have talked about that. I think that is a bizarre and oppressive opinion about what the film "should" have been. What was the film then? I don't see this movie talking about lessons, but rather being an exploration of a sister's struggle with the aftermath of her sibling's suicide. It documents a personal journey that only one person could document. It shows Hope's feelings, regrets and actions after the death of a sister with whom she had a complicated, though loving relationship. It was, as you would expect, moderately paced, relatively serious, lacking "action, but had occasional moments of optimism. When you live with mental illness, there are not always easy answers or firmly defined messages about how you need to feel about it. The movie is well made, without any serious flaws besides being what it is: a movie that will not appeal to everyone for obvious reasons. I enjoy hearing about people's personal experiences, and I thank the sister for making it.

Moviegoer19 I often don't read others' reviews before writing my own but in this case I did, perhaps because there are so few. I'm troubled by them and their harsh judgments of Hope Litoff and her film about her sister, Ruth. Of course Hope herself is a big part of the film. She and her sister were very close, beginning in childhood. She shows this and states this more than once, in different ways. Especially in youth, there was a blurring of boundaries between them. In a way, this film becomes the merging of the two sisters that they wished for in childhood.Hope is accused by reviewers of focusing too much on herself in the film. But I disagree: the film is about her trying to understand and accept her sister's death, as well as her sister's life, including her so-called mental illness. The film is about both of them. As such, I think she did a commendable job of presenting her family and exploring what happened and why. That she herself had or has addiction issues, well, okay, and maybe she did focus on them to add some drama to the film. So what!? I think it worked to flesh out an investigative presentation of both her and her sister and their overlapping lives. I feel that I've gotten a strong and accurate picture of two sisters and the pain experienced by the surviving one. The only thing I found a little hard to comprehend myself was why Hope had such difficulty understanding why her sister took her life. If anything, that was the piece that Hope overdid. Hope is obviously intelligent and astute and probably did intellectually understand the answer to that "why". The question was most likely used as a thematic thread to give the film its direction and goal, and a way to give definition to her emotional nonacceptance of her sister's suicide. The other thing I would have liked was more focus on Ruth's work. The focus was on her flower photographs that wound up as the Bellevue exhibit Hope completed on behalf of her sister. There was, however, a brief mention of Ruth's other photos which for me recalled the work of Diane Arbus. In fact, having read the autobiography of Diane Arbus, I believe there's more than one comparison between Ruth Litoff and Arbus, to be made.Anyway, I congratulate Hope on both making and completing this film, and on living as happy a life as possible, given her history.

lesleetoney The loss of a life--of any life--is so horrible. But Ruth's life and death were true tragedies. It was interesting to have this sort of voyeuristic view of Ruth's life. But, overall, I felt like the poetic complicatedness of her life and subsequent death were vastly overshadowed by her sister Hope.What struck me as incredibly unfortunate was the upbringing that Ruth and Hope both survived (though barely). No amount of money can save a young child from the burdens of their parents--and what a horrible situation both of these women were stuck in at such a young age. The filming was excellent; the original music by T. Griffin superb. But I wish that the main idea of the film hadn't been stepped on by Hope. She seemed to be the primary focus of every scene, and the combination of Ruth's complicated story as well as Hope's current struggles made a muddy display of this film. And for what it's worth: it's obvious that Hope struggles with addiction and emotional turmoil. I sincerely hope that for the sake of herself, her husband, and her children she can find the help she needs.

Paul Allaer "32 Pills: My Sister's Suicide" is a documentary directed by, and starring, Hope Litoff about her sister Ruth's suicide in 2008 at age 42. As the movie opens, we get to know Ruth and Hope, and not before too long we also get to know what it was like for the Litoff sisters to grow up.Couple of comments: this is the directing debut of Hope Litoff, who previously was edited a number of TV movies and documentaries. Here she investigates the effects of Ruth's suicide on her life as we know it today. Through the extensive use of primarily the thousands of pictures that Ruth had taken during her life, but also the many journals she left behind (and which she apparently wanted to be found after her death), we get a pretty good picture as to her troubled (bi-polar) mind. Seems like Ruth lived on the edge of suicide for many years. Then there is Hope, 3 years younger than Ruth. Where to start? The documentary at first sight is about Ruth, until it shifts and becomes the Hope show... Hope shows up in virtually every frame of the movie, while she ostensibly suffers from Ruth's suicide. But I have to say, some if not much seems contrived, if not outright weird. Does she really fall off the wagon after 17 years sobriety--WHILE FILMING HERSELF? Then later, is her husband really following her around with a camera when Hope decides she needs another drink for no apparent reason? It just didn't make any sense, and it all felt very much self-centered and self-serving, as if Hope found a perfect vehicle (Ruth's suicide) to make a movie where Hope is the center of attention. If it was meant to stir up compassion for Hope's situation, I'm sorry to say that the movie simple didn't move me in that way. Bottom line: it may be well- intended, but ultimately this wanna-be important documentary should be called "My Sister's Suicide: A New HOPE" (pun intended).This movie started playing on HBO as part of its documentary series, and that is where I caught it a few days ago. I have to say, I was really let down in the end. For a truly devastating look at the events surrounding a sister's suicide, I'd readily recommend the deeply moving and overall excellent 2015 memoir by Jill Bialosky called "History Of a Suicide" (about her 21 yr. old sister's suicide when the author herself was 30). Simply outstanding. "32 Pills: My Sister's Suicide"? not so much...