Solemplex To me, this movie is perfection.

SnoReptilePlenty Memorable, crazy movie

Freaktana A Major Disappointment

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

alexakis39 First off, this movie has a great cast. Steve Buscemi, Peter Stormare, Peter Dinklage, Elizabeth Bracco. I've seen either several or a few films from each of them, and I enjoy watching them. So that's what made me most interested in this film. I am also a big fan of Alex Rockwells movie In the Soup. I liked it. Some part didn't seem to fit or it was just confusing, which is why I gave it a 6. Maybe if I watched it again I will feel differently about it. Was it unusual? Yes. Was it heartwarming. Yes. This probably isn't a movie I would go out and buy on my own. I would watch it again though. I'm glad I had the chance to see this. How cliché is the name Timmy though?

strange_anya I rented 13 Moons because I love Steve Buscemi. It was an amazing movie- full of twists and turns, humor, and reality. It was a touching film without being sappy. Its just one of those must sees, I think. The basic premise is that a little boy needs a new kidney. A cousin of his happens to be in the hospital, but said cousin is a drunken santa dude who escapes and tries to have one last night of mayhem. Strangers become involved in his pursuit, including a clown who has lost his humor, a priest who has lost his god, a stripper, a rapper, a mother to be who isn't anymore, a midget, and others. The cinematography was very different- kind of like American beauty. bottom line- this movie gave me hope.

tedg What we have here is an attempt to shape a movie by simply defining interesting characters. These aren't radical characters like, say you would get with "Hitchhiker's Guide" inspired projects. You have a few choices when sitting down to write a story. One of these is to decide what sort of agency your characters have. To my mind, the best storytellers start with a world, a notion of sweeps within that world that creates situations or drives or needs. Within all those gusts you place characters, or perhaps (depending on the world) your characters are secreted by other forces.Noir, the great invention of cinematic storytelling has this character. Cinematic storytelling is different than writing because you see the world with the people. With the written world you can separate them and the world always comes through some voice.This is to say that starting with characters is risky in film. I think it never works, ever, by itself. These aren't particularly interesting characters. But if they were, you would need something else to season them: some dialog or situations.It didn't work here.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

lapsus53 Thank the cinema gods that movies like this are still being made - personal, inimitable, expressive visions you'll never see in a studio boutique division's wildest dreams!Doing his best work since the very funny "In The Soup," Alexandre Rockwell again works with a large ensemble cast of fine but often under-used actors to tell the niftily interwoven stories of an unlikely set of characters all of whose paths cross because of a marital spat and a life-weary bailbondsman getting saddled with his waifish son - who's in desperate need of a kidney transplant. Problem is, it seems the only good match is sloshing about in the innards of the bedrugged, drunken, wacked-out Peter Stormare (in a Santa suit, continuing Rockwell's ongoing leitmotiv in several films). The movie, beautifully shot on hi-def video by the estimable Phil Parmet, with an insinuating score, all takes place in one night, an extended but befuddled chase after the wayward, reluctant kidney donor.Among an as entertaining group of actors as you're likely to find, Daryl Mitchell, Rose Rollins, and Peter Dinklage are especially sharp and funny. Keep an ear peeled for Rollins's perfectly pitched horribly bad rap song!Lots of incidental pleasures along the way, and, typical in the Rockwellian oeuvre, an uplifting moment at the end - literally and figuratively. All in all, a shaggy-dog delight.