Cortechba Overrated

Salubfoto It's an amazing and heartbreaking story.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Maleeha Vincent It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

kelseybells524 I streamed this movie on Netflix and thought this would be watchable. But, it wasn't. The acting, writing, editing, directing, dialogue and plot was terrible. How did this movie EVER get made? Anyone who rates this movie higher is on crack. It was like a mix of "American Horror Story", zombie movies, "The Crazies" and the "Scary Movie" film series. The writer/director shouldn't be making movies anymore! The plot and the DVD cover looked like it was written by a 5-year old. The laughing, swearing and music was terrible, too. T I know that The Asylum is putting out garbage like this. A girl named Kendra in this movie, is trying be be a rip-off of "Carrie". It was like a very bad copy of "World War Z"! It felt like I was watching a VHS! Also, this film starts in washed out, low contrast mode. And the color contrast was low as well. I give this a 2 out of 10.

blaqrayvn This movie sucked. I would love to know who seriously thought this movie was good enough to fund, and continue filming the entire time. Terrible acting and poor writing. This writer/director should not be allowed to make movies. Do not waste your time and/or money on this crap movie. I had no idea what this movie was about when I downloaded it, thank God I didn't pay for it. It immediately lost my interest about 20 minutes in. What is up with these people with a camera and money that think they can just make a terrible movie like this? I seriously can't express how lame this movie was. Watch The Signal instead.. It's a brilliant movie compared to 13-13-13

The_After_Movie_Diner Let me start by saying that James Cullen Bressack's film 13/13/13, released by The Asylum, has, at its core, a GREAT idea. At a time when the Horror and Sci-fi genres seem plagued by remakes, copy cats and irony filled shark attack films, even from so-called first time or indie talent, 13/13/13 has this great horror sci-fi concept.Basically it's all something to do with leap years violating the ancient Mayan calendar and all those extra days in February, over time have created an extra month and on the date of 13/13/13 everyone who wasn't born on a February 29th goes completely nuts.It's a wonderful, end of the world scenario that allows for lots of death, destruction, mayhem and the symbolism of the "unlucky number" 13. More importantly, I hadn't really heard of much like that before and it's always nice to hear a fresh idea. Yes, OK, so behind the idea is the whole Mayan calendar hoopla that went around last year claiming that, in 2012, the world was going to end and, I'm sure that, The Asylum liked it for that reason, as they're always making B-Movie versions of big budget disaster films (or Mockbusters as I believe the affectionate term is for them) but this has a decent spin on that and actually attempts something novel with it. The idea that leap years added up would form this weird 13 month is just the kind of bonkers, surreal hokum I am drawn to. There was a bit of George A Romero's The Crazies mixed in there as well but it's, at least, a different Romero source to draw from than the interminable bad zombie films we've had to wade through lately.The things that I enjoyed in this film were the slow build up to people going crazy, some good and, on some occasions, even darkly comic deaths, a nice, atmospheric, gory and weird hospital sequence and attempts to establish different types of craziness for different groups of people. There was a really strong bedrock here for a pretty decent end-of-the-world horror film and what the filmmakers were able to do with, what was, obviously, a limited budget was, also, very impressive.What was a slight disappointment with the movie, for me, was the fact that, I didn't feel, the concept went anywhere or was explored as much as I would've liked. For example, it needed a crazy old professor, or someone, who knew about the old world and spouted Donald Pleasance-like doom filled one-liners. The film, definitely, could've done with some sort of further explanation of the situation or some place to go. Maybe a glimmer of hope to reverse the situation using a mystical rock, Mayan gold amulet or something, or, maybe the rising of old beings to establish their order again on earth. As it was, while it was atmospheric, gory as all hell and nicely shot, the hospital sequence went on entirely too long and once our two, Feb 29th born, protagonists finally escaped there was little time for anything but a muddled and, I felt, rushed finale back at the house.The acting was a problem in the film. I watch a lot of amateur and low budget films so it doesn't bother me a lot but the acting was pretty stale, unfortunately, and not one character really shone in the film. A lot of that might have been the script too because, while the idea was there and the deaths, gore and action were all there, the dialogue was, in places, dreadful. I thought that more creative ways could've been used to convey the craziness other than just rage and repeated uses of the f-word said unconvincingly by actors struggling to act. Don't get me wrong, there were some creative bits of craziness, especially Quentin (Jody Barton) believing himself, suddenly, to be a Korean war general but overall the swearing and the anger felt forced in some of the performances. I liked the laughter and the random acts of violence but thought the opportunity to make that truly creepy was missed. Without a few strong, decent lines of dialogue and the odd interesting character, the film did, very slowly, become something of a slog but there was, genuinely, some nice potential here.Trae Ireland and Erin Coker were solid enough, but neither of them had very interesting characters. Calico Cooper is Alice Cooper's daughter but sadly didn't get to do very much but what she did was fine though. Jody Barton got the showy role and was, at least, enthusiastic with it and, probably, the strongest performer of the lot. Bill Voorhees, with the name made for horror film acting, was sort of funny in the role of sidekick to Jody Barton despite it being an underwritten, obvious, slob-friend role.While it, sadly, does go nowhere, there was lots to like in this B-Movie. One positive on the acting was that I didn't feel anybody was winking at me or playing any scenes in a lazy, half-arsed manner. I felt that everyone was trying their hardest and playing the scenes straight and true. This is important because it's become all too fashionable these days, even amongst high-profile stuff like Tarantino and Rodriguez's later work, to knowingly and lazily play every scene just for puerile, pathetic and ironic laughter and, for me, that just takes me right out of the film. While the acting isn't always strong or dynamic, I am glad to say 13/13/13 doesn't do this. The key to making a fun, enjoyable, weird, silly, wonderful, cult or B-Movie is to believe in what you're doing, no matter how ridiculous and, again, this film does succeed in that regard.While not quite there completely I appreciated this film for it's attempt at a different, creative take on an apocalypse scenario. It was an enjoyable romp, some great scenes, some good enthusiasm and a decent idea at its core.

kmakenas Written and directed by James Cullen Bressack who brought us "Hate Crime," "To Jennifer," and "My Pure Joy." Knowing and enjoying James' style, I anticipated a lot of insane moments and he didn't let me down."For millennia, calendars have added an extra day every four years. In doing so, they have violated the ancient Mayan calendar. Now, we are in the 13th month of the 13th year of the new millennium, and the few who survive will battle a world of demons." The demons basically have infected almost everyone and turned them into crazies. The infected are insane killing machines, but they're alive and not zombies.The sky was the limit for James to go ballistic and he sure did. Horror movies like this are typically slash em up, but James added some fun characters to make the movie even more enjoyable and you may even snicker during some disturbing scenes.It begins with us meeting the guys on a camping trip. When Jack (Trae Ireland) returns from the trip everything appears normal…..sort of. His twelve year old daughter Kendra (Tiffany Martinez) smashes a spider in her hands and eats it. His wife Marcy (Calico Cooper) is compulsively scratching all the skin off her arm. Jack takes her the hospital and experiences the doctors acting all hard ass dropping F bombs left and right on him. Meanwhile back home, his daughter is in a heated and distressing argument with Jack's friend Trevor (Bill Voorhees). Spoiler, Kendra wins.It's pretty whacky and disturbing in many ways and I have to admit funny at points. Simple things, for example, Quentin (Jody Barton) and Joe (J. Scott) are sitting on the couch drinking beer and you can hear crunching of Trevor's head being smashed on the concrete outside by Kendra, all while Quentin and Joe zone out watching TV. In one scene Quentin stabs Joe and they laugh as if they smoked a pound of marijuana, and then laugh even harder when they smear his blood on the wall. Quentin and Joe definitely are the Beavis and Butthead of psycho killers.Jack and Candace (Erin Coker) are the only sane people and meet in the hospital while the world around them is full of crazies. They team up to escape the hospital and get to Jack's house to save his daughter. Yeah, the daughter who eats spiders and smashed a guy's head on the concrete.The film maintains the insanity throughout as Jack and Candace struggle to make it to 13/14/13. What would be more dangerous than "13/13/13"? James Cullen Bressack and Jared Cohn teaming up to write "14/14/14" On the DVD be sure to check out the bonus features which includes a "Making Of" and "Gag Reel."